8
Special Rosters

June 2010 - G. Buccellati
June 2010 - M. Kelly-Buccellati
June 2010 - C.K. Kimbrough
June 2010 - R. Hauser
June 2010 - M. Stancavage
June 2010 - L. Ramos
[August 2022 - M. De Pietri]
A Digital Monograph
The home for this page is GRAMMAR

8.1 Introductory
8.2 Ceramic analysis (Zca) – by M. Kelly-Buccellati
8.3 Ceramic paste analysis (Zcp?) – by M. Kelly-Buccellati
8.4 Seal impressions (Zsi) – by M. Kelly-Buccellati
8.5 A glyptic impressions on sealings (Zai) – by C.K. Kimbrough
8.6 Figurines (Zfg) – by R. Hauser
8.7 Beads (Zbd) – by M. Stancavage
8.8 Physical Anthropology (Zpa) – by L. Ramos


8.1  Introductory

            As mentioned above in 13.2, special rosters supplement the Main Roster for types of analysis, especially typology, which go beyond its limits and purposes. The structure of these rosters is quite analogous in each case.

            Special roster codes are identified by a 3 character prefix, of which the first is Z (identifying the entry as belonging to a special roster) and then two characters that identify the particular special roster in question.

            The version code is in the same format as for the Main Roster

 

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8.2  Ceramic analysis (Zca) – by M. Kelly- Buccellati

            The chart below outlines the structure of the system, and is followed by detailed codes pertaining to individual roster slots.

 

 

 

 

 

attributes

type

ware
family

matrix

paste

porosity

firing

hardness

fracture

color inside

color outside

inclusions

temper

color range

 

 

 

 

 

manufacturing

forming techniques

exterior treatment

interior treatment

 

 

 

 

measurements

max wall thickness

maximum height

maximum width

weigh

volume

capacity

 

shape
family

proportions

closed
h>w (jar)

intermediate h=w (pot)

open h<w (bowl)

 

 

 

 

dimensions

height range

width range

base range

 

 

 

 

profile

rim

neck

shoulder

base

 

 

 

appendages

handles

spouts

 

 

 

 

 

decoration

aspect

painted

incised

excised

applied

 

 

 

location

inside

outside

 

 

 

 

 

function

generic

access

scooping

pouring

 

 

 

 

 

portability

2 hands

1 hand

fingers

fixed

 

 

 

specific

containment

oil

perfume

fruit

grain

 

 

 

production

salt

cheese

 

 

 

 

 

use

cooking

incense burning

 

 

 

 

 

term              example                 definition

type                     bevelled rim bowl            a distinctive clustering of attributes, drawn from ware, shape and function

subtype               conical cup 1                    alternatives within type (e.g., same shape, alternative wares)

ware family         chaff tempered                 a grouping of wares

shape family        miniature vessel               a grouping of shapes

ware                    fine chaff tempered          clustering of attributes pertaining to physical composition, manufacturing techniques, maximal measurements – predicated of any given sherd

shape                   double rim necked jar      clustering of attributes pertaining to proportions, profile, dimensions and appendages – predicated only of diagnostic sherds and complete vessels

function               oil jar                               clustering of attributes pertaining to perception (generic function depending on how content is accessed or vessel is carried) and to use (specific function depending on what the vessel contains or serves to produce) – predicated only of complete (including reconstructible) vessels

 

ZcaA      details of assignment

ZcaA1    typological horizon – This differs from the stratigraphic horizon (I5 of Main Roster), in that it identifies a vessel or sherd on the basis of its typological characteristics, regardless of its emplacement. Thus a painted Khabur sherd would be assigned to the K horizon even if it is found in a later context.

ZcaA10  ceramic vessels and sherds within feature (under feature)

 

ZcaC      details of color

ZcaC1    color, interior (name)

ZcaC2    color, interior (Munsell number)

ZcaC3    color, exterior (name)

ZcaC4    color, exterior (Munsell number)

ZcaC5    color, temper (name)

ZcaC6    color, temper (Munsell number)

ZcaC7    painted color background A (i.e. body?)

ZcaC8    painted color background B

ZcaC9    painted color foreground A (i.e., decoration?)

ZcaC10  painted color foreground B

 

ZcaD      details of decoration

ZcaD1    technique

ZcaD2    type

 

ZcaF      details of function

ZcaF1     primary function

 

ZcaM     details of measurements

ZcaM1   percentage of rim  – This category defines how large a sherd is vis-à-vis the total circumference of the vessel rim.

                                                       

ZcaS      details of shape

Note. When a basic shape can be recognized, then it is qualified by the three additional roster categories of family/sub-family/type, e.g., a bowl may be deep (family), sharply carinated (sub-family), type as identified by a standardized drawing (7). – Rim, base or handle are generally identified without reference to the preceding categories, although in principle that is possible.

 

ZcaS1     family

ZcaS2     sub-family

ZcaS3     type

ZcaS4     rim/base/handle

ZcaS9     forming technique

 

ZcaW     details of ware

ZcaW0   main ware

ZcaW1   main temper

ZcaW2   other temper

ZcaW3   surface treatment, exterior

ZcaW4   surface treatment, interior

ZcaW5   type of inclusions    

ZcaW6   frequency of inclusions

ZcaW7   firing

ZcaW8   fracture

ZcaW9   detail of ware (subfamily)

 

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8.3  Ceramic paste analysis (Zcp?)

 

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8.4  Seal impressions (Zsi) – by M. Kelly-Buccellati

                Glyptics? Or seal impressions referring to either modern or ancient? What about description of seals stones?

z             at the end of any entry refers to a detail of photo or drawing

               (e.g., Zsi611z W17z0102)

               this entry is derived automatically from directory entry W17z0102 A16.108~611 and placed under A16.108

 

Zsi0        UNIVERSAL CODES

 

Zsi1        DOCUMENTATION

Zsi1ex    Excavation Data

Zsi1mu   Museum or Library Number

Zsi1pl     Present Location

Zsi1pu    Publication

 

Zsi2        EXTERNAL CHARACTERISTICS

Zsi2dg    Date:            General

Zsi2dr     Date:            Reign

Zsi2ob    Type of Object on Which Impression is Found

Zsi2pc    Present Condition

Zsi2pr     Provenience

 

Zsi3        PHYSICAL CHARACTERISTICS OF SEAL STONES

Zsi3ma   Material

Zsi3se     Secondary Features

Zsi3si      Size of Cylinder Seal

 

Zsi4        INSCRIPTION

Zsi4ap    Absent/Present

Zsi4cm   City Mentioned in Inscription

Zsi4co    Condition of Inscription

Zsi4ho    How Inscription is Written

Zsi4la     Language of Text

Zsi41o    Location of Inscription

Zsi4lp     Language of Person's

Zsi4na    Names

Zsi4ti      Title

 

Zsi5        THEME AND OVERALL COMPOSITION

Zsi5ba    Background

Zsi5ge    General Composition of Entire Seal

Zsi5gr     Groundline

Zsi5nu    Number of Compositions on Entire Seal

Zsi5th     Theme of Each Composition

              

Zsi6        MAJOR COMPOSITIONAL ELEMENTS

Zsi6a0    Description

Zsi6a2    Identification of Figures: gender

Zsi6aa     Identification of Figures: Animal

Zsi6ad    Identification of Figures: Deity

Zsi6ah    Identification of Figures: Human

Zsi6am   Identification of Figures: Composite and Mythological

Zsi6as     Identification of Figures: Standard

Zsi6at     Identification of Figures: Tree & Plants

Zsi6av    Identification of Figures: Various

Zsi6di     Distinctive Physical Characteristics

Zsi6dr     Dress

Zsi6he    Head Covering

Zsi6je     Jewelry

Zsi6pa    Posture of Figure: General

Zsi6pb    Posture of Figure: View Shown: Body      

Zsi6ph    Posture of Figure: View Shown: Head

Zsi6pl     Posture of Figure: Left Arm

Zsi6pr     Posture of Figure: Right Arm

Zsi6ro     Role of Figure in Composition

 

 

Zsi7        MINOR COMPOSITIONAL ELEMENTS: ATTRIBUTES

Zsi7a0    Description

Zsi7a&   Staffs and Clubs

Zsi7aa     Animal

Zsi7ac     Composite and Mythological Beings

Zsi7af     Furniture

Zsi7ah    Human

Zsi7an    Natural Elements

Zsi7at     Tools and Weapons

Zsi7av    Objects and Other Elements

Zsi71a    Location of Attributes

Zsi7po    Posture of Animal Attributes

 

Zsi8        MINOR COMPOSITIONAL ELEMENTS: FILLER MOTIFS

Zsi8a0    Description  

Zsi8lc     Location: In Composition

Zsi81f     Location: Horizontal

Zsi8lv     Location: Vertical

 

Zsi9        SECONDARY MOTIFS

Zsi9de    Description

Zsi91v    Location

 

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8.5  Aglyptic impressions on sealings (Zai)
 – by C. K. Kimbrough

          This roster has been established by Christine K. Kimbrough, and the definitions given below are hers. This roster deals with the impression of cordage and textile, as found primarily on sealings. To facilitate the

 

ZaiK1      sp    spin – The direction in which the thread or cord was originally spun.  The primary importance of determining this variable is to facilitate the evaluation of the uniformity of spinning technology and practice.  There are some who have argued that it also determines to some extent the handed‑ness of the spinner but this is inconclusive.  When the direction of spin is determined from an impression on clay (or any plastic substance), you have to remember that you are viewing the negative and thus the direction of spin is the opposite of what it appears.

 

ZaiK2      an    angle -- The angle of twist indicates the tightness of the spin of a thread or cord.  Tightness of spin can be illuminate details of spinning technology such as the range of weights or diameters of spindle whorls that were used and again the uniformity of spinning technology and practice.  Angle of twist is measured by drawing a line across the thread from the lower point where the twist of the fiber intersects the edge of the thread or cord.  Then, the angle is measured from this line to where the twist intersects the other edge.  Of course, no angle of twist should exceed 90 degrees.  90 degrees would indicate no twist, and in fact, approximately 80 to 90 degrees may indicate the natural twist of the fiber.  Generally, 0 to 30 degrees of twist is considered tight, 30 to 60 degrees medium, and 60 to 90 degrees loose. 

ZaiK3      t1     thread1 – This is the number of threads per centimeter in one direction in a cloth impression.  Since identifying warp or weft in small impressions is most often impossible, no attempt is made to designate such terms to one set of threads in an impression.  Threads are simply counted in one direction, usually the direction in which the impression is widest (unless otherwise noted), and the the other (variable thread2).  This measurement provides a basis for comparing impressions both within the Mozan corpus and with textile impressions from other archaeological sites.  The number of threads per centimeter indicates the fineness of the cloth.  Differences between thread1 and thread2 indicate to some extent the type of weave.

 

ZaiK4      t2     thread2 –  The number of threads in the second (smaller width) direction of a cloth impression.

 

ZaiK5      tw    twists –  The number of twists visible in the length of a cord impression.  The measurement is noted not because it reveals any technical aspect of weaving, but simply so that others have an idea of the nature of the evidence for any one cord impression. 

 

ZaiK6      wv   weave –  This variable describes the type of weave of a cloth or basket impression in the terms used most widely in the archaeological and textile literature.  For definitions of these terms and illustrations see Emery 1981, Broudy ??, and Barber 1991.  The terms allow for the comparison of the textiles in this corpus with each other and with impressions from other sites.  They also provide a basis for analyzing technical aspects of weaving at Mozan and placing the textiles and basketry impressions from Mozan in a larger historical and technological context.

 

ZaiA7      hd    hole diameter –  This variable is the diameter of a hole in a spindle whorl or wheel.  This measurement is one parameter for determining whether or not an object could have used as a spindle (the hole must be wide enough to accommodate a spindle).  Hole diameter is one of the variables used by Liu (1978) to differentiate between spindle whorls and beads.  In addition, other studies of spindle whorls make use of this measurement which means that it provides another variable for comparing spindle whorls from Mozan with those from other archaeological sites.

 

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8.6  Figurines (Zfg) – by R. Hauser

 

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8.7  Beads (Zbd) – by M. Stancavage

 

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8.8  Physical anthropology (Zpa) – by L. Ramos

 

Zpa1        IDENTIFICATION

 

Zpa1df    definition

Zpa1mi    Minimum number of individuals

Zpa2mn   notes on minimum number of individuals

Zpa1st     curation status

Zpa1nb    = other label                       

 

Zpa2        SKELETAL ANALYSIS

 

Zpa2bs     Biological sex

Zpa2ds    Data on sex determination

Zpa2sm    method of estimating sex

Zpa2ba    Biological age

Zpa2da    Data on biological age

Zpa2ma   Methods used for biological age determination

Zpa2es     Estimated Stature

Zpa2ms    Method used for stuture

 

Zpa3        TRAUMA

Zpa3tt      Trauma type

Zpa3tl      Trauma location

Zpa3td     Trama description

 

Zpa4        PATHOLOGY

Zpa4pt     Pathology type

Zpa4pl     pathology location

Zpa4pd    Pathology description

Zpa4pn    Notes on Pathology

 

Zpa5        MUSCULAR-SKELETAL MARKERS AND STRESS

Zpa5sl      Stress location

Zpa5sm    Muscle stressed

Zpa5ma   Muscle activity

Zpa5sn     Notes on MSM stress

 

 

Zpa6        INVENTORY

 

Zpa6fr     Frontal

Zpa6pa    Parietal

Zpa6oc    Occipital

Zpa6te     Temporal

Zpa6sp     Sphenoid

Zpa6zy    Zygomatic

Zpa6mx   Maxilla

Zpa6pa    Palatine

Zpa6mn   Mandible

Zpa6na    Nasal

Zpa6la     Lacrimal

Zpa6co    Concha

Zpa6hy    Hyoid

Zpa6et     Ethmoid

Zpa6vo    Vomer

Zpa6sc     Scapula

Zpa6cl     Clavicle

Zpa6hu    Humerus

Zpa6ra     Radius

Zpa6ul     Ulna

Zpa6is      Ischium

Zpa6pu    Pubis

Zpa6fe     Femur

Zpa6pt     Patella

Zpa6ti      Tibia

Zpa6fi      Fibula

Zpa6ri      Ribs

Zpa6ta     Talus

Zpa6cs     Calcaneus

Zpa6cu    Cuboid

Zpa6nv    Navicular

Zpa6ca     Cuneiform 1

Zpa6cb    Cuneiform 2

Zpa6cc     Cuneiform 3

Zpa6ma   Metatarsal 1

Zpa6mb   Metatarsal 2

Zpa6mc   Metatarsal 3

Zpa6md   Metatarsal 4

Zpa6me   Metatarsal 5

Zpa6ph    phalanges

Zpa6sc     Scaphoid

Zpa6lu     Lunate

Zpa6tr      Triquetrum

Zpa6pi     Pisiform

Zpa6tz     Trapezium

Zpa6cp    Capitate

Zpa6ha    Hamate

Zpa6mf    Metacarpel 1

Zpa6mg   Metacarpel 2

Zpa6mh   Metacarpel 3

Zpa6mi    Metacarpel 4

Zpa6mj    Metacarpel 5

Zpa6cv    Cervical vertebrae

Zpa6tv     Thoracic vertebrae

Zpa6lv     Lumbar vertebrae

Zpa6sv     Sacrum

Zpa6mm  manubrium

Zpa6st     Sternum

 

Zpa7        PRESERVATION

 

Zpa7sc     Condition of skeleton

Zpa7tc     Condition of teeth

Zpa7pr     Convervation notes

 

Zpa8        BURIAL CONTEXT

 

Zpa8bt     burial type

Zpa8go    grave orientation

Zpa8bp    body position

Zpa8bo    body orientation

Zpa8so     Skull orientation

Zpa8bf     body facing

Zpa8sf     skull facing

Zpa8if      items found with body

Zpa8tp     time period

Zpa8ph    phase

Zpa8nb    notes on burial context

 

Zpa9        MEASUREMENTS

 

Zpa9mu   Max length ulna

Zpa9mr    Max length radius

Zpa9mt    Max length Tibia

Zpa9mf  Max lenght Femur

Zpa9bf     Bicondylar lenght Femur

Zpa9mb   Max lenght fibula

Zpa9rm    max mandibular ramus (ant-post)

Zpa9mc   mandibular condyle

Zpa9fh     max diameter femoral head

Zpa9za     max length of zygomatic

 

Zpa10      REFERENCE

 

Zpa10pl   photos from lab

Zpa10pe  photos from excavation

Zpa10bd  drawing

 

8.7  Wall conservation (Zcw) – by G. Buccellati, B. Landini and M. Lorenzon