.bk A15
.fl L915MKB2.j
.fn Object Descriptions
.ed L915
.ei MKB
.rd L915
.ri MKB

i 3
df ja
tc si f26
sh j
nt large hole mouth jar
nt shape type from 2001 Shape Catalog is jh-3 but with a much wider rim
w1 68
pv broken and not restored in MZ 14
nt much mica in clay, carbon core, heavy clay, external edge of rim cut with a sharp tool, thick self-slip, exterior smoothed, interior smoothed but wheel marks visible
c# 10YR 8/2 
co very pale yellow
wm CH
ns Phase 4

i 10
df ja
sh j
nt large hole mouth jar
nt shape type from 2001 Shape Catalog is jh-3
w1 21
pv broken and not restored in MZ14
wm RC1
nt As to ware, much mica in clay, little calcite, much sand temper indicating that it is part of the sandy variation of RC1
L99 lower portion handmade, upper part wheelmade but there may be a third join which will be clear when restored, five ribs below rim and above the widest portion of the body may indicate such a third join 
c# 7.5YR 7/3
co pink
ns Phase 4

i 212
tc si f327
J2 8.5
J3 4.6 
J7 2.1
nm measured with lintel portion of door up
df clay model
;df portion of painted door model
is This piece is the central portion of a model of a rectangular building facade. The facade is modeled in three rectangular sections placed one inside the other which resemble nitches in the typical nitched doorways and facades of temple architecture. While it is not carefully painted, the exterior and the interior portions of the door nitching are highlighted by the addition of straight but somewhat irregular lines in black paint. One dot of this paint has been placed directly over the center of the door.  On the left hand side the exterior most line is thick, extending around the edge of the model and upward, beyond the exterior line of the frame. This upper portion is not preserved sufficiently to determine whether or not it is the continuation of the door or a part of some upper architectural element. The model is three dimensional in that part of the left side is preserved and it too has two nitches both with traces of paint placed in vertical straight lines but on this side also with a horizontal line joining them. Since the horizontal line is thick but not well preserved it may also have been part of a decorative design. In all likelihood the right side is also modeled in this fashion as the small trace of the edge is rounded and painted.
ds on the broken reverse the piece is very rough with a granulated texture. The interior portion of the door facade is roughly smoothed with a stick with a thick self-slip applied. The paint is thick and cracked in some places. The piece is probably built up in sections (slab technique) and it is broken between two of these sections.
nt one seal impression from A6 (A6q348.1 f105) shows in its iconography a small portion of a monumental doorway. This doorway is not nitched all the way across the facade but may be partially nitched near the doorjamb. The seal is slightly earlier than the door model.
c# background 5Y 8/2, painted decoration 2.5Y 3/1
co background pale yellow, painted decoration 2.5Y 3/1 very dark gray
wm clay
nt As to ware, much sand and some mica, little calcite, no visible chaff

q 59.1
tc si f22
J2 3.1
J3 3.2 @base
df se
sd stamp seal
ds bell shape flaring at circular end with incisions for seal, shaft is rectangular with widest part of a size and shape which fits thumb and forefinger comfortably, no visible means of attachment
pv slightly more than half preserved
is fish made with an eye and scale motif
st incised lines made with a sharp tool
c# 5Y8/2
co pale yellow
wm clay
nt As to ware, creamy buff clay with few inclusions

q 341.2
tc si f125
df su
J2 3.3
J3 2.7
J7 2.2
wm clay
nt As toware, light buff clay with some small chaff inclusions
ht 3.4cm
w1 2.7 cm 
is female head wearing a tall rectangular hat which is wide in front but narrow on the sides, diagonal modeled strands of hair come from under hat and fall over forehead. At this point the shape of the face changes to one in which the linear quality of the nose and the flatness of the face on either side of the nose are emphasized. In other words the face becomes pointed as it were with the nose and the mouth in the highest relief with the eyes and cheeks flattened on either side. The eyes are large in proportion to the rest of the face and are made as an applied circle with a triangular piece attached to the first circle. Part of the mouth is preserved as well as a hint of the chin.
st different from the statuette found in A12 (A12.30), this face has no emphasis on the cheeks but rather details the pointed and linear nature of the nose and mouth which are in effect framed by the large applied eyes which are in turn framed by the thick diagonal eyebrows and the ears which may have traces of holes for earrings. 
pv  the head is broken below the mouth in the front and at what appears to be the bottom of the hat in the rear.
nt fine linear detail has been added to the upper and lower part of the circular portion of the eyes to indicate eyelashes
c# 2.5YR 7/2
co pale red
wm clay


q 662.1
tc si f56
wm mt
nt As to ware, gold sheet
df pendant-m
J2 1.9
J3 1.4
J7 0.7
J6 less than 1mm thick @pendant wall
ds oval ring at top for attachment, pear shaped body with some tool marks near the top
L99 made in two pieces joined together on side edge toward the back
pv back portion collapsed, probably originally flat