https://urkesh.org/MZ/A/A12/D/I/0030.htm

Unit Book A12

The ābi (Version 1a)

A12.30

Processed on 2026-03-02

1. OVERVIEW

Roster Date Author Record
Category !! !! other
Best definition 1999-07-15 !! statue [Input: J717AB.j]
Best image 2025-05-23 !! [Input: A12_VWX.j]
2025-05-23 !! [Input: A12_VWX.j]

2. IDENTIFICATION

Designation

Roster Date Author Record
Definition 1999-07-15 ab statue [Input: J717AB.j]
Description (summary) 1999-07-15 ab female statue or figurine, broken in two pieces. The base is missing. The lower part represents the legs, made by a single cylinder, enlarging towards the top to build the side with the pelvic, incised, triangle. The buttock is shaped in high relief. Under the breast area the statue presents an old break. The upper part represents the torso; breast in relief, arms are broken just under the shoulders. On the neck there are two necklaces, made by two stripes of clay applique and decorated with vertical, incised lines. One necklace continues on the back and covers and divides the back vertically. The face is stylized: the nose is pointed and in relief as the large, round eyes and the chin; the small mouth is slightly opened. On the forehead there was maybe a diadem or the hair, which frames the face. Probably there were also earrings. The upper part of the head is shaped like a vessel and is empty. The whole statue is empty inside. [Input: J717AB.j]
2018-03-15 yM female anthropomorphic statuette. This figurine is very important from the view point of execution and function. It is clear that whoever made it was a professional artist, and it was made with such precision for a purpose. The head is slightly cubic in shape and the facial features are very well defined. The right eye is partially preserved and it is an applied round piece of clay. The cheek bones are high and very prominent. The jaw line is very clearly defined and the chin is narrow with a round tip. The mouth is small. The nose is narrow at the top and wide at the bottom but well defined and very proportioned with the rest of the facial features. The brow ridge is prominent giving her majestic appearance. The brows are indicated with small incised lines representing the eyebrow hair. On both sides of the head, there are two projections that could represent a hair style covering the ears, and they are decorated with four small perforations on each side, probably used to hang more accessories. The figure is wearing a disk like double lobed earrings (only the right one is fully preserved). The figure is also wearing a necklace in the form of two narrow bands. The first band covers only the front of the neck and the second band (below the first one) continues all the way to the back of the neck and down the back forming a counter weight. The arms are broken off but the shoulders are preserved. The applied breasts are small and has the shape of round tipped cones, and the position of the breast is slightly higher than normal. The waist is thin and the navel is depicted as a small perforation. On the lower part of the abdomen there are three horizontal stripes above the pubic triangle where the pubic hair is depicted schematically with small incised vertical lines. The hips are wide and the buttocks is very prominent and made using molding technique. The legs were not depicted, and the figurine stood on its round hollowed base. This figurine was found in three pieces and was reconstructed together. What is interesting about this figurine is that the body is hollowed starting from below the breasts. On the top of the head, there is a depression that forms a small container that was probably used for ointments and healing substances. [Input: ZK226yM.j]

3. STRATIGRAPHY

Volumetric Localization

Roster Date Author Record
Locus 1999-07-05 jo k10 [Input: J715AB2.j]

Contact Association

Roster Date Author Record
Type of contact: contemporary events/movable items 1999-07-05 jo i30 (statue) sits in f128 (accumulation C) [Input: J715AB2.j]

Spatial Aggregation

Roster Date Author Record
Aggregate (to which element belongs) 1999-06-26 !! a11 (pit aggregate) [Input: J718JO.j]
q-lot with which item is associated 1999-07-05 jo q138 (pottery) [Input: J715AB2.j]

Time Sequencing

Roster Date Author Record
Stratum (to which element belongs) 2024-08-11 !! s80A12A [Input: ZI811mS.j]
Phase (to which element belongs) 2024-08-11 !! h8MZA [Input: ZI811mS.j]

4. TYPOLOGY

Measurements

Roster Date Author Record
Height 1999-07-15 ab 13.5 [Input: J717AB.j]
1999-07-15 ab 15.8 [Input: J717AB.j]
Width 1 or diameter of rim 1999-07-15 ab 5.4 [Input: J717AB.j]

Items Field Record

Roster Date Author Record
Field definition 1999-07-05 jo statue [Input: J715AB2.j]

5. TREATMENT

Conservation

Roster Date Author Record
Current conditions 0000-00-00 sb The ceramic statuette was brought to the conservation Lab on j705, broken into two halves. The break that occurred at the height of the waist, is probably an old break, as the position in which the statuette was found suggests (see digital photos). There were another two small fragments, one earing and a piece of the necklace, that broke while removing the statuette from the excavation. The other earing and a small portion of the necklace, both on the left hand side, are lost as well as the two arms, broken at shoulder level. The upper part was cleaned by SB, the lower one by BA. A few interesting things came out during the cleaning; the object was relatively easy to clean because the soil was very loose. By removing the soil along the break we found that the statuette was partially hollow: the base wall is round and thin, very regular, and we could see from the beginning that it was hollow, but we did not know how much of the statue was hollow. We found that it continued untill the level of the breast, narrowing towards the head. The technique used was definitely that of coils of clay placed one on top of another. We could see from the inside that the coils have been smoothed very well. The reason why the statuette is hollow- it woul have been much easier to model it solid- is probably to avoid cracks during the firing. The statuette has been cleaned, with brush and scalpel. It came out that the type of clay that was used was rich in calcium carbonate; in fact we found right under the surface many tiny dots of calcite that have weakened considerably the ceramic. Where these were found, the ceramic surface was slightly detached from the body and tended to flake off easily. The fact that the color of the ceramic is so light is in itself an indication of a clay rich in calcium and poor in iron. We also noticed that the clay was very rich in Mica, a mineral that when aged, changes from black to yellow. In this case it appears as bright crystals that tend to look like gold dots. Lots of chaff inclusion were also evident as hollow spaces in the surface. The cleaning of the head revealed a few details that were hidden by soil attached to the statue, like the small mouth and the right eye that seems to be represented by a simple pupil. It also became clear that the necklace and the earrings were originally applied as separate pieces. The surface underneath the necklace is in fact perfectly smooth, seen in the portion of neck where the necklace has been lost. A very interesting thing that was also noticed is that there is a large chunk of a pinkish, soft material on the forehead, right above the nose: this material was noticed at the beginning of the cleaning and it was left because it did not look like regular dirt incrustation. It was seen later that a few traces of the same material were also present in other scattered areas such as the belly, the breast and the long stripe of necklace in the back of the statue near the break. It is possible that this pink soft material was applied on purpose over the whole surface although we do not know the reason. [Input: N1A123.j]

6. REFERENCE

Analogical Record

Roster Date Author Record
Photo of individual elements (studio)

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 gg [Input: A12_VWX.j]

0000-00-00 okk [Input: A12_VWX.j]

0000-00-00 okk [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]
Drawing of individual element (studio)

1999-07-27 cw [Input: A12_VWX.j]

1999-07-29 pp [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]

2025-05-23 !! [Input: A12_VWX.j]