CONSERVATION
Principles

A. Site Conservation
4 – Methods

Giorgio Buccellati – March 2010, April 2011

Back to top: A. Site Conservation 4 – Methods

1. Overview

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

2. The document

Back to top: A. Site Conservation 4 – Methods

Introduction

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Concepts

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

The excavation process

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Damage from excavations

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Other damage

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Transparency for scholars and laymen

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Conservation, restoration and reconstruction

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Wall construction

Back to top: A. Site Conservation 4 – Methods

Brick morphology

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Stone morphology

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Mortar

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Plaster

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

The question of scoring

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Ancient erosion

Back to top: A. Site Conservation 4 – Methods

Weathering

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Wadis

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Quarrying, ancient and modern

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Modern erosion

Back to top: A. Site Conservation 4 – Methods

Weathering

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Unknown causes

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Excavation damage

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Opportunities for monitoring

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Sections

About sections, see specifically the index of the “Grammar” at this page.

Back to top: A. Site Conservation 4 – Methods

Purpose of preserving sections

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Scoring and labeling

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Documenting accumulations

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Documenting time

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

3. The volumes

Back to top: A. Site Conservation 4 – Methods

Aims

Back to top: A. Site Conservation 4 – Methods

Introduction

     The localized shelters produce the important visual effect of simulating the ancient volumes embodied in the actual walls.
volumetry

Back to top: A. Site Conservation 4 – Methods

System

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Components

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Results

Back to top: A. Site Conservation 4 – Methods

Introduction

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

System

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Components

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Color and texture

Back to top: A. Site Conservation 4 – Methods

Introduction

     UNDER CONSTRUCTION
3D

Back to top: A. Site Conservation 4 – Methods

System

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Components

UNDER CONSTRUCTION

Back to top: A. Site Conservation 4 – Methods

Real virtual reality

     As intended, the volumes simulated by the localized shelters evoke the sense of space that approximates that of the ancient architecture (see on this topic F. Buccellati's PhD dissertation and volume UMS 6). An interesting by-product was that, once the shelters had been set in place, it became impossible for us to nonchalantly walk over portions of missing walls, and became thus much more sensitive to the constraints of space and circulation that were of course at the heart of the architect's original intent.
     The sensation reminded us of the one evoked by a virtual reality walk through on a computer screen – except that in this case the "virtual" reality was "real," at least in the sense that it was physically defined by actual steps taken on the ground. It remained "virtual" in many other respects, first of all as a result of the lack of a roof, hence with lighting conditions totally different from those that obtained in the "real" setting.
     It is however a fact that such a virtual walk-through, especially if it is accompanied, as is the case at Mozan, by a careful signage that brings points to detail of circulation patterns and of wall construction.
     A film clip offers a visual overview of such a walk through, complemented by a parallel "virtual" walk through on the computer screen.
walls

3D

Back to top: A. Site Conservation 4 – Methods