| Topic |
Section |
Title |
| A12 | Urkesh Global Record / Units | Book A12 |
| A12: directories & tallies | Site Map | Directories and tallies > Book A12 and related folders |
| A14 | Urkesh Global Record / Units | Book A14 |
| A16 | Urkesh Global Record / Units | Book A16 |
| A16: directories & tallies | Site Map | Directories and tallies > Book A16 and related folders |
| A17 | Urkesh Global Record / Units | Book A17 |
| A18 | Urkesh Global Record / Units | Book A18 |
| A20 | Urkesh Global Record / Units | Book A20 |
| AA | Urkesh Global Record / Units | Area AA |
| ābi | Site | Excavations |
| Urkesh Global Record / Units | Book A12 |
| ābi: bibliography | Site | Excavations > Bibliography and links |
| ābi: darkness | Site | Excavations > The darkness |
| ābi: faunal remains | Site | Excavations > Faunal remains |
| ābi: objects | Site | Excavations > The objects |
| ābi: structure | Site | Excavations > In contact with the beyond: a mysterious structure |
| ābi: three building phases | Site | Excavations > Three building phases |
| abstracts | | ABSTRACTS |
| academic institutions | Support | Academic institutions |
| access | | Organization of space > Access |
| Storage | Principles of archaeological storage > 7. Access |
| A Critique of Archaeological Reason (CAR) | PROJECT PUBLICATIONS / Books | All books > Critique (CAR) |
| PROJECT PUBLICATIONS / Other Studies | CRITIQUE (CAR) |
| adherent covers | Site Conservation | Adherent covers |
| administrative texts | TEXTS | Administrative texts |
| advanced readers | Education | Advanced readers |
| aesthetics | Design | Aesthetics |
| aggregation | PRINCIPLES | Digital thought > Scalarity and aggregation |
| Agnew | Abstracts | Neville Agnew 2001 |
| Neville Agnew 2001 |
| Neville Agnew and Janet Bridgland 2006 |
| Neville Agnew and Janet Bridgland 2006 |
| Neville Agnew and Martha Demas 2004 |
| Neville Agnew and Martha Demas 2004 |
| AI: artificial intelligence | PRINCIPLES | Digital thought > This side of artificial intelligence |
| Aiesh | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| Akar | Abstracts | Murat Akar and Demet Kara 2020 |
| Murat Akar and Demet Kara 2022 |
| Akkadian | LANGUAGES | Languages in context > Akkadian |
| Akkermans | Abstracts | Peter M.M. Akkermans and Glenn M. Schwartz 2003 |
| Peter M.M. Akkermans and Glenn M. Schwartz 2003 |
| Akrawi | Abstracts | Aysar Akrawi 2006 |
| Aysar Akrawi 2006 |
| Albenda | Abstracts | Pauline Albenda 2005 |
| allotment of an unknown item, possibly barley | TEXTS | Administrative texts > a2 - A10.377 - Allotment of an unknown item, possibly barley |
| alphabet | PRINCIPLES | Digital thought > The alphabet |
| alphabetic characters on ceramics? | TEXTS / Other texts | Alphabetic characters on ceramics? |
| alteration | Site Conservation | Protective systems > Alteration |
| alternative sequences of sign components (palaeography) | LANGUAGES / Writing | Palaeography > Alternative sequences of sign components |
| Amiet | Abstracts | Pierre Amiet 1966 |
| Pierre Amiet 1966 |
| Amorite | LANGUAGES | Languages in context > Amorite |
| analytical sidebar (right-hand side) | Urkesh Global Record | Details of the page organization > The right sidebar (black): analytical |
| Anati | Abstracts | Emmanuel Anati 1988 |
| Emmanuel Anati 1988 |
| ancient erosion | Preservation | The document: ancient erosion |
| ancient Urkesh | Preface | A guide for first timers > Ancient Urkesh |
| animal combat (glyptics motif) | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| Tar'am-Agade |
| animal figurines: main types | OBJECTS / Figurines | Animal Figurines > Main types represented |
| animal figurines: regularity & realism | OBJECTS / Figurines | Animal Figurines > Regularities and realism |
| animal figurines (typology) | OBJECTS / Figurines | Animal Figurines |
| animal figurines, typology (bibliography) | OBJECTS / Figurines | Animal Figurines > Bibliography |
| annals | | Annals |
| annals: concepts | Annals | Concepts |
| antecedents of writing | PRINCIPLES | Digital thought > The antecedents of writing |
| antecedents of writing (excursus: writing) | BIBLIOGRAPHICAL EXCURSUSES | Writing > Antecedents of writing |
| applications: Urkesh: Urkesh applications | PRINCIPLES | Digital thought > 3. Urkesh applications |
| approaches | PRINCIPLES | Digital thought > 4. Four types of digital texts |
| archaeological preservation: principles | | PRINCIPLES OF ARCHAEOLOGICAL PRESERVATION |
| archaeological preservation: scope | Principles | Scope of archaeological preservation |
| archaeological preservation: theory | Principles | Theory of archaeological preservation |
| archaeological process: theory | PRINCIPLES | Theory > Theory of the archaeological process |
| archaeological process: theory (excursus) | Excursus | Theory of the archaeological process |
| archaeological reconstruction | | RECONSTRUCTION > Types of archaeological reconstruction |
| archaeological storage: principles | Storage | Principles of archaeological storage |
| archaeological universals | Urkesh Global Record | Principles > Archaeological universals |
| archaeological websites: analysis | Evaluation | Comparative analysis of archaeological websites > General Analysis |
| archaeological websites: appendix | Evaluation | Comparative analysis of archaeological websites |
| archaeological websites: audience | Evaluation | Comparative analysis of archaeological websites > Audience |
| archaeological websites: brochure | Evaluation | Comparative analysis of archaeological websites |
| archaeological websites: comparative analysis | Evaluation | Comparative analysis of archaeological websites |
| archaeological websites: databases | Evaluation | Comparative analysis of archaeological websites |
| archaeological websites: PDF | Evaluation | Comparative analysis of archaeological websites |
| archaeological websites: theory | Evaluation | Comparative analysis of archaeological websites > Theory |
| archaeological websites: visual | Evaluation | Comparative analysis of archaeological websites |
| archaeology | Urkesh Global Record | Principles > Archaeology as archaeology |
| Archaeology for a young future | PROJECT PUBLICATIONS / Books | All books > Young Future |
| PROJECT PUBLICATIONS / Guide Books and Exhibits | Archaeology for a young future |
| archaeology: perception | PRINCIPLES | The role of perception > The archaeology of perception |
| Archi | Abstracts | Alfonso Archi 2013 |
| architecture | PRINCIPLES | The role of perception > The built environment |
| architecture: constructional analysis | PRINCIPLES | Constructional analysis of architecture |
| architecture: constructional analysis ((excursus)) | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture |
| architecture: England | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture > England |
| architecture: general | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture > General considerations |
| architecture: Germany | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture > Germany |
| architecture: Italy | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture > Italy |
| architecture (perception: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Perception > Architecture |
| archive | | Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| archives | PRINCIPLES | The nature of documentary communication > Archives |
| argument | Urkesh Global Record | Principles > Documentation, narrative and argument |
| argumentation | PRINCIPLES | The nature of documentary communication > Argumentation |
| argument: impressionistic publication | PRINCIPLES | 3. Narrative |
| argument: linear | PRINCIPLES | Digital thought > Linear and poly-segmental |
| argument: long | PRINCIPLES | Digital thought > “One long argument” |
| argument: polyhedral | PRINCIPLES | Digital thought > The polyhedral argument |
| argument: poly-segmental | PRINCIPLES | Digital thought > Linear and poly-segmental |
| argument: synthetic publication | PRINCIPLES | 2. Argument |
| art history (perception: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Perception > Art history |
| articles (general interest) | OTHER PUBLICATIONS | General interest |
| OTHER PUBLICATIONS / Articles | ARTICLES OF GENERAL INTEREST |
| articles (general interest): alphabetical | OTHER PUBLICATIONS | General interest: alphabetical |
| articles (general interest): chronological | OTHER PUBLICATIONS | General interest: chronological |
| articles (Urkesh and the Hurrians) | OTHER PUBLICATIONS / Articles | ARTICLES ON URKESH AND THE HURRIANS |
| articles (Urkesh specific) | OTHER PUBLICATIONS | Urkesh specific |
| articles (Urkesh specific): alphabetical | OTHER PUBLICATIONS | Urkesh specific: alphabetical |
| articles (Urkesh specific): chronological | OTHER PUBLICATIONS | Urkesh specific: chronological |
| articles (Urkesh staff) | PROJECT PUBLICATIONS | Articles |
| PROJECT PUBLICATIONS / Articles | ARTICLES BY STAFF MEMBERS |
| articles (Urkesh staff): alphabetical order | PROJECT PUBLICATIONS / Articles | ARTICLES – ALPHABETICAL |
| articles (Urkesh staff): chronological order | PROJECT PUBLICATIONS / Articles | ARTICLES – CHRONOLOGICAL |
| articulation of digital thought | PRINCIPLES | Digital thought > Articulation of digital thought |
| Aruz | Abstracts | Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| Asher-Greve | Abstracts | Julia Asher-Greve and Joan Goodnick Westenholz 2013 |
| Julia Asher-Greve and Joan Goodnick Westenholz 2013 |
| Astour | Abstracts | Michael C. Astour 2002 |
| Michael C. Astour 2002 |
| Atal-šen | TEXTS | Royal inscriptions > r1 - Atal-šen |
| atomistic observations | Urkesh Global Record | Principles > Primacy of atomistic observations |
| attendants with globular objects (glyptics motif) | TEXTS / Seal legends | Tupkish |
| audiences | | The intended audiences |
| audience: types | PRINCIPLES | Communication > Types of audience |
| auditing | Storage | Principles of archaeological storage > 3. Auditing |
| authorship | Navigation | Page structure > Path and authorship |
| Urkesh Global Record | Principles > Authorship |
| authorship: contributors | Introduction | Authorship |
| authorship (ethics: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Authorship |
| authorship: IT support | Introduction | Authorship |
| authorship: main authors and editors | Introduction | Authorship |
| authorship: overview | Introduction | Authorship |
| authorship: section editors | Introduction | Authorship |
| authorship: webmasters | Introduction | Authorship |
| authors index (bibliography) | | AUTHORS INDEX |
| automation: intellectual significance | PRINCIPLES | Digital thought > Intellectual significance of automation |
| automation of browser edition | PRINCIPLES | Digital thought > Automatic production of the Browser Edition |
| AVASA | DEVELOPMENT | AVASA |
| awareness campaign | DEVELOPMENT | In the village |
| axes (style) | ART / Style | Experiments in style > Following the axes… |
| B6 | Urkesh Global Record / Units | Unit B6 |
| backfill | Site Conservation | Backfill |
| Protective systems > Backfill |
| Site conservation techniques: floors > Backfill |
| Baltacioğlu | Abstracts | Hatçe Baltacioğlu 2003 |
| Barag | Abstracts | Leo Oppenheim, Robert H. Brill, Dan Barag and Axel von Saldern 1970 |
| Barozzi | Abstracts | Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| Barrelet | Abstracts | Marie-Thérèse Barrelet 1978 |
| Marie-Thérèse Barrelet 1978 |
| Beckman | Abstracts | Gary Beckman 2003 |
| Gary Beckman 2003 |
| bending figures (glyptics motif) | TEXTS / Seal legends | Uqnitum |
| Ben-Shlomo | Abstracts | David Ben-Shlomo 2010 |
| David Ben-Shlomo 2010 |
| Benzel | Abstracts | Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| Berlyn | Abstracts | Patricia Berlyn 2005 |
| Patricia Berlyn 2005 |
| betili | Urkesh Global Record / Units | Book J6 |
| Between Syria and the Highlands (SANEM 3 = Fs. Buccellati/Kelly-Buccellati) | PROJECT PUBLICATIONS / Other Studies | SANEM 3 |
| Bianchi | Abstracts | Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| bibliographical excursuses | | BIBLIOGRAPHICAL EXCURSUSES |
| bibliographical excursuses: built environment | BIBLIOGRAPHICAL EXCURSUSES | The built environment |
| bibliographical excursuses: constructional analysis of architecture | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture |
| bibliographical excursuses: ethics in archaeological practice | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice |
| bibliographical excursuses: experience | BIBLIOGRAPHICAL EXCURSUSES | Experience |
| bibliographical excursuses: non-linearity | BIBLIOGRAPHICAL EXCURSUSES | Non-linearity |
| bibliographical excursuses: perception | BIBLIOGRAPHICAL EXCURSUSES | Perception |
| bibliographical excursuses: reading | BIBLIOGRAPHICAL EXCURSUSES | Reading |
| bibliographical excursuses: writing | BIBLIOGRAPHICAL EXCURSUSES | Writing |
| bibliographical indices | | Linear indices |
| bibliographical status | Concepts | Bibliographical status |
| BIBLIOGRAPHY | | E-LIBRARY |
| E-LIBRARY |
| bibliography: ābi | Site | Excavations > Bibliography and links |
| bibliography: general interest | OTHER PUBLICATIONS | Bibliography: general interest |
| bibliography: geography | Setting | Geography > Bibliography and links |
| bibliography: Hurrians | Setting | History > Bibliography |
| bibliography: major themes | | MAJOR THEMES |
| bibliography: major themes (ceramics) | MAJOR THEMES | Ceramics |
| bibliography: major themes (conservation) | MAJOR THEMES | Conservation |
| bibliography: major themes (digital) | MAJOR THEMES | Digital |
| bibliography: major themes (glyptics) | MAJOR THEMES | Seals and sealings (i.e., glyptics) |
| bibliography: major themes (heritage) | MAJOR THEMES | Heritage |
| bibliography: major themes (site presentation) | MAJOR THEMES | Site Presentation |
| Bietak | Abstracts | Manfred Bietak 2018 |
| Manfred Bietak 2018 |
| Bingöl B | GEOGRAPHY | Natural resources: obsidian > Bingöl B |
| blogs | MEDIA COVERAGE | Blogs |
| boar (glyptics motif) | TEXTS / Seal legends | Uqnitum |
| Bodenstein | Abstracts | Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Bonetti | Abstracts | Sophie Bonetti and Giorgio Buccellati 2003 |
| Sophie Bonetti and Giorgio Buccellati 2003 |
| books: current | Urkesh Global Record | Urkesh Global Record > Current books |
| books (publications) | PROJECT PUBLICATIONS / Books | All books |
| Bottéro | Abstracts | Jean Bottéro |
| Jean Bottéro |
| boundary: empire | Setting | History > At the boundary of the empire |
| boxing | Storage | Principles of archaeological storage > 5. Boxing |
| Braun-Holzinger | Abstracts | Eva Andrea Braun-Holzinger 2013 |
| Eva Andrea Braun-Holzinger 2013 |
| bridging the dislocation | PRINCIPLES | Digital thought > Bridging the dislocation |
| Bridgland | Abstracts | Neville Agnew and Janet Bridgland 2006 |
| Neville Agnew and Janet Bridgland 2006 |
| Brill | Abstracts | Leo Oppenheim, Robert H. Brill, Dan Barag and Axel von Saldern 1970 |
| broad base | Site Conservation | Protective systems > Broad base and localized shelters |
| broadcasts | MEDIA COVERAGE | Broadcasts and videos |
| broadcasts & videos: 2010 | MEDIA COVERAGE | Broadcasts and videos > 2010 |
| broadcasts & videos: 2012 | MEDIA COVERAGE | Broadcasts and videos > 2012 |
| broadcasts & videos: 2013 | MEDIA COVERAGE | Broadcasts and videos > 2013 |
| broadcasts & videos: 2014 | MEDIA COVERAGE | Broadcasts and videos > 2014 |
| broadcasts & videos: 2015 | MEDIA COVERAGE | Broadcasts and videos > 2015 |
| broadcasts & videos: 2016 | MEDIA COVERAGE | Broadcasts and videos > 2016 |
| broadcasts & videos: 2017 | MEDIA COVERAGE | Broadcasts and videos > 2017 |
| broadcasts & videos: 2018 | MEDIA COVERAGE | Broadcasts and videos > 2018 |
| broadcasts & videos: 2019 | MEDIA COVERAGE | Broadcasts and videos > 2019 |
| broader public | Introduction | Broader public |
| broad horizon | Setting | History > The broad horizons |
| brochures | Evaluation | Comparative analysis of archaeological websites |
| Comparative analysis of archaeological websites > Brochure |
| Comparative analysis of archaeological websites > Brochure and PDF: |
| browser edition | PRINCIPLES | Digital thought > Browser edition |
| Buccellati, F. | Abstracts | Federico Buccellati 1998 |
| Federico Buccellati 1998 |
| Federico Buccellati 2001 |
| Federico Buccellati 2001 |
| Federico Buccellati 2010 |
| Federico Buccellati 2010 |
| Federico Buccellati 2012 |
| Federico Buccellati 2012 |
| Federico Buccellati 2014a |
| Federico Buccellati 2014a |
| Federico Buccellati 2014b |
| Federico Buccellati 2014b |
| Federico Buccellati 2019 |
| Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| Buccellati, G. | Abstracts | Arwa Kharobi, Giorgio Buccellati 2017 |
| Arwa Kharobi, Giorgio Buccellati 2017 |
| Giorgio Buccellati 1966 |
| Giorgio Buccellati 1966 |
| Giorgio Buccellati 1973 |
| Giorgio Buccellati 1977 |
| Giorgio Buccellati 1977 |
| Giorgio Buccellati 1981 |
| Giorgio Buccellati 1981 |
| Giorgio Buccellati 1982 |
| Giorgio Buccellati 1988 |
| Giorgio Buccellati 1988 |
| Giorgio Buccellati 1990 |
| Giorgio Buccellati 1990 |
| Giorgio Buccellati 1997 |
| Giorgio Buccellati 1998 |
| Giorgio Buccellati 1998 |
| Giorgio Buccellati 1998 |
| Giorgio Buccellati 1998 |
| Giorgio Buccellati 1999 |
| Giorgio Buccellati 1999 |
| Giorgio Buccellati 2000 |
| Giorgio Buccellati 2000 |
| Giorgio Buccellati 2000 |
| Giorgio Buccellati 2000 |
| Giorgio Buccellati 2000 |
| Giorgio Buccellati 2002 |
| Giorgio Buccellati 2002 |
| Giorgio Buccellati 2003 |
| Giorgio Buccellati 2003 |
| Giorgio Buccellati 2003-2004 |
| Giorgio Buccellati 2003-2004 |
| Giorgio Buccellati 2004 |
| Giorgio Buccellati 2004 |
| Giorgio Buccellati 2005 |
| Giorgio Buccellati 2005 |
| Giorgio Buccellati 2005 |
| Giorgio Buccellati 2005 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2006 |
| Giorgio Buccellati 2009 |
| Giorgio Buccellati 2009 |
| Giorgio Buccellati 2010 |
| Giorgio Buccellati 2010 |
| Giorgio Buccellati 2010 |
| Giorgio Buccellati 2010 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2012 |
| Giorgio Buccellati 2013 |
| Giorgio Buccellati 2013 |
| Giorgio Buccellati 2014 |
| Giorgio Buccellati 2014 |
| Giorgio Buccellati 2014 |
| Giorgio Buccellati 2014 |
| Giorgio Buccellati 2014 |
| Giorgio Buccellati 2015 |
| Giorgio Buccellati 2015 |
| Giorgio Buccellati 2015 |
| Giorgio Buccellati 2015 |
| Giorgio Buccellati 2018 |
| Giorgio Buccellati 2018 |
| Giorgio Buccellati 2019 |
| Giorgio Buccellati 2019 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1967 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1967 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1977 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1991 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1991 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1998 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1998 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1999 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1999 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2000 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2000 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2003 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2003 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2004 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2004 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2005 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2005 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2008 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2008 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2009 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2009 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2014 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2014 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2017 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2017 |
| M.I. Venkatesan, T.W. Linickt, H.E. Suess and G. Buccellati 1982 |
| Sophie Bonetti and Giorgio Buccellati 2003 |
| Sophie Bonetti and Giorgio Buccellati 2003 |
| built environment | PRINCIPLES | The role of perception > The built environment |
| built environment (excursus) | BIBLIOGRAPHICAL EXCURSUSES | The built environment |
| built environment: function | BIBLIOGRAPHICAL EXCURSUSES | The built environment > Function and perception |
| built environment: general | BIBLIOGRAPHICAL EXCURSUSES | The built environment > General considerations |
| built environment: perception | BIBLIOGRAPHICAL EXCURSUSES | The built environment > Function and perception |
| built environment: typology | BIBLIOGRAPHICAL EXCURSUSES | The built environment > Typology |
| Cairnes | Abstracts | Edith Hamilton and Huntington Cairnes (eds.) 1961 |
| Canby | Abstracts | Jeanny Vorys Canby 2003 |
| Jeanny Vorys Canby 2003 |
| Jeanny Vorys Canby 2003 |
| capillarity | PRINCIPLES | Digital thought > Capillarity |
| capillarity of information | Urkesh Global Record | Principles > High nodes |
| Carandini | Abstracts | Andrea Carandini 2000 |
| Andrea Carandini 2017 |
| Excursus | Theory of the archaeological process > Carandini |
| Carr | Abstracts | Nicholas Carr 2008 |
| Catagnoti | Abstracts | Amalia Catagnoti 1998 |
| Amalia Catagnoti 1998 |
| Çatal Höyük | Evaluation | Comparative analysis of archaeological websites > Çatal Höyük |
| Catholic Biblical Association (CBA) | Support | Catholic Biblical Association |
| Caubet | Abstracts | Annie Caubet and Patrick Pouyssegeur 1998 |
| Annie Caubet and Patrick Pouyssegeur 1998 |
| central window | Urkesh Global Record | Details of the page organization > The central window |
| ceramic: horizons | | HORIZONS > Ceramic horizons |
| ceramic library | Storage | Study collections > The ceramic library |
| ceramics | Site | Major finds |
| ceramics (bibliography) | MAJOR THEMES | Ceramics |
| ceramics: conservation | Preservation | Restoration of ceramic vessels |
| ceramics: early third millennium | Site | Major finds > Early third millennium |
| ceramics: multimedia | MAJOR THEMES | Ceramics > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| ceramics: overview | Site | Major finds > Overview |
| ceramics: second millennium: first half | Site | Major finds > First half of second millennium |
| ceramics: third millennium (second half) | Site | Major finds > Second half of the third millennium |
| ceramics: visual walk-through | Site | Major finds > Visual walk-through of selected Urkesh ceramics |
| certificates | The faces of Urkesh | The UNICUM Gallery > The certificates |
| Chaves Yates | Abstracts | Caitlin J. Chaves Yates 2014 |
| Caitlin J. Chaves Yates 2014 |
| children | | The intended audiences > Children |
| children: feedback | | Feedback from children |
| children (Randolph): feedback | | Center Grove Elementary School, Randolph, NJ |
| children: roots of tomorrow | | At the Roots of Tomorrow |
| children: Urkesh knowking | | Urkesh knowking at schools |
| children: Urkesh through imagination | | Urkesh through imagination |
| Christie | Abstracts | Agatha Christie 1977 |
| Agatha Christie 1977 |
| chronicle | Introduction | Chronicle |
| chronicles | | Annals |
| chronology: Urkesh | Setting | History |
| circularity: style | ART / Style | Experiments in style > Circularity |
| circulation | | Organization of space > Circulation |
| Education | Circulation |
| Circulation |
| Clarke | Excursus | Theory of the archaeological process > Clarke |
| classroom to classroom | Education | Classroom to classroom |
| climate | Setting | Geography > Climate |
| clips: use | PRINCIPLES | Video and film > The use of clips |
| cognitive archaeology | PRINCIPLES | The role of perception > Perception and perceptual analysis |
| coherence | PRINCIPLES | Coherence |
| collection | Storage | Principles of archaeological storage > 1. Collection |
| collection: basic | Storage | Study collections > The basic collection |
| collection: conservation | Storage | Study collections > The conservation collection |
| collections | | The collections |
| Storage | The Curators of the collections |
| collections: display | Storage | Display collections |
| collections: facilities | Storage | Facilities that house the collections |
| collection: special | Storage | Study collections > The special collection |
| collections: types | Storage | In-house collections > Types of collections |
| collection: zoology & natural science | Storage | Study collections > The zoology and natural science collections |
| Collins | Abstracts | Billie Jean Collins 2004 |
| Billie Jean Collins 2004 |
| Billie Jean Collins 2004 |
| Billie Jean Collins 2004 |
| collocation | PRINCIPLES | The role of perception > Collocational vs. perceptual analysis |
| colonialism | | SITE PRESENTATION > Colonialism and not |
| colonialism (ethics: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Colonialism and not |
| commitment | PRINCIPLES | Digital thought > The difficulty of a new commitment |
| communication | PRINCIPLES | Communication |
| Principles | Conservation as publication > Communication |
| communication: continuum | PRINCIPLES | Communication > The communication continuum |
| communication: modes | PRINCIPLES | Communication > Modes of communication |
| communication: nature | PRINCIPLES | Communication > The nature of communication |
| communications | PROJECT PUBLICATIONS | Communications |
| communities | DEVELOPMENT | The communities |
| companion folder | | Early printed materials > Companion folder |
| Education | Companion folder |
| components | Site Conservation | The record > Components |
| concept: horizons | | HORIZONS > The concept |
| concepts | PRINCIPLES | Humanities > Concepts and terminology |
| conceptual correlations | PRINCIPLES | Digital thought > Conceptual correlations |
| conceptual goals | Preface | A "Guide for the Perplexed" > Conceptual goals |
| connectivity | PRINCIPLES | Digital thought > Sequentiality and connectivity |
| Conner | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| conservation | | Conservation and presentation |
| PRESERVATION |
| PRESERVATION |
| The intended audiences > Excavations, presentation, conservation |
| Preservation | Conservation |
| Principles | Conservation as publication |
| Theory of archaeological preservation |
| Site | Conservation |
| conservation: alteration (consolidation) | Preservation | Site conservation: alteration |
| conservation: alteration (over layering) | Preservation | Site conservation: alteration |
| conservation: alteration (overview) | Site Conservation | Site conservation techniques: alteration |
| conservation: beginning | Principles | Extrinsicism and not > When does conservation begin? |
| conservation (bibliography) | MAJOR THEMES | Conservation |
| conservation: bibliography | Object Conservation | The laboratory > Bibliography |
| conservation: concepts | Preservation | The document: concepts |
| conservation: development | Preservation | Development |
| conservation: exposed stone walls | Site Conservation | Site conservation techniques |
| conservation: field | Preservation | Conservation: work in the field |
| conservation: floors | Site Conservation | Site conservation techniques: floors |
| conservation: floors (pavements and staircases) | Site Conservation | Site conservation techniques: floors |
| conservation: mud floors | Site Conservation | Site conservation techniques: floors |
| conservation: multimedia | MAJOR THEMES | Conservation > 3. Links to multimidia outside Urkesh/E-Library. AVASA |
| conservation: shelters (metal frames) | Site Conservation | Site conservation techniques: shelters |
| conservation: site | Site Conservation | 1. Overview |
| conservation: strategy | Principles | Conservation as part of the excavation strategy |
| conservation techniques: options | Site Conservation | Site conservation techniques |
| conservation techniques: shelters | Site Conservation | Site conservation techniques: shelters |
| conservation techniques: side panels | Preservation | Site conservation techniques |
| conservation techniques: top covers | Preservation | Site conservation techniques |
| conservation: volumes (aims) | Preservation | Site Conservation: The Volumes |
| conservation: volumes (color and texture) | Preservation | Site Conservation: The Volumes |
| conservation: volumes (results) | Preservation | Site Conservation: The Volumes |
| conservation: volumes (virtual reality) | Preservation | Site Conservation: The Volumes |
| conservation: walls | Preservation | WALL CONSERVATION |
| conservator | Object Conservation | The conservator |
| consolidation | Principles | Scope of archaeological preservation > Consolidation of the initial state |
| constructional analysis of architecture | PRINCIPLES | Constructional analysis of architecture |
| constructional analysis of architecture (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Constructional analysis of architecture |
| consulting vs. studying | PRINCIPLES | Digital thought > Consulting vs. studying |
| contents: detailed documentation and dissemination | Introduction | Contents |
| contents: introductory sections | Introduction | Contents |
| contents: overview | Introduction | Contents |
| contents: specialized synthesis | Introduction | Contents |
| continuity | PRINCIPLES | Digital thought > 2. The new continuity |
| continuity: gamble | PRINCIPLES | Digital thought > The gamble with continuity |
| contributors: drafting | Introduction | Authorship > Drafting |
| contributors: e-Library | Introduction | Authorship > E-Library |
| contributors index | Search | Indexed Items and Index Contributors |
| contributors: photography | Introduction | Authorship > Photography |
| contributors: text | Introduction | Authorship > Text |
| contributors: UGR | Introduction | Authorship > UGR |
| control points | TECHNIQUES | Triangulation rod |
| control room | | 8. The service wing of the Palace > A control room (PDF 552K) |
| core staff | Field staff | Core staff |
| corporations | Support | Corporations |
| Corti | Abstracts | Carlo Corti and Franca Pecchioli–Daddi 2012 |
| costs | Education | Costs |
| Cotsen Institute (UCLA) | Support | The Cotsen Institute of Archaeology at UCLA |
| Courtaud | Abstracts | A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| courtiers of Tupkish and Uqnitum: seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| crafts | DEVELOPMENT | Planning |
| Crawford | Abstracts | Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| credit | Education | Credit |
| Creekmore (III) | Abstracts | Andrew Theodore Creekmore (III) 2008 |
| curators | Storage | The Curators of the collections |
| curatorship | Storage | Principles of archaeological storage > Curatorship |
| current books | Urkesh Global Record | Urkesh Global Record > Current books |
| Dalley | Abstracts | Stephanie Dalley 2001 |
| Stephanie Dalley 2001 |
| Dal profondo del tempo | PROJECT PUBLICATIONS / Books | All books > Dal Profondo |
| PROJECT PUBLICATIONS / Guide Books and Exhibits | Dal profondo del tempo |
| Dal profondo del tempo (Arabic) | PROJECT PUBLICATIONS / Guide Books and Exhibits | Dal profondo del tempo |
| Dal profondo del tempo (Arabic: قدمت لها ميرلين كيللي بوتشيللاتي جورجيو بوتشيللاتي) | PROJECT PUBLICATIONS / Books | All books > Dal profondo (Arabic: قدمت لها ميرلين كيللي بوتشيللاتي جورجيو بوتشيللاتي) |
| Darwin | Abstracts | Charles Darwin 1872 |
| Charles Darwin 1958 (1887) |
| PRINCIPLES | Digital thought > “One long argument” |
| data | PRINCIPLES | Coherence > The data |
| Urkesh Global Record | The epistemological dimension > The data |
| database | PRINCIPLES | Digital thought > 3. The matrix |
| Urkesh Global Record | The UGR concept > Database and narrative |
| database: contents | Urkesh Global Record | The UGR input: Databases > Contents of the database section |
| database & narrative | PRINCIPLES | Digital thought > Database and narrative |
| databases | Evaluation | Comparative analysis of archaeological websites |
| Comparative analysis of archaeological websites > Databases: |
| PRINCIPLES | The nature of documentary communication > Databases |
| Urkesh Global Record | The UGR input: Databases |
| The UGR input: Databases > Ordered input files as database |
| data: graphic tabulation | PRINCIPLES | Digital thought > Graphic tabulation of data |
| data: primary | PRINCIPLES | Primary data |
| Deckers | Abstracts | Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| deconstruction | PRINCIPLES | Digital thought > Structure and deconstruction |
| deeper levels | Introduction | Broader public > Steps to deeper levels |
| definitions | PRINCIPLES | Postulates and definitions |
| degli Abbati | Abstracts | Valeria degli Abbati 2011 |
| Valeria degli Abbati 2011 |
| Dell’Unto | Abstracts | Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| Demas | Abstracts | Neville Agnew and Martha Demas 2004 |
| Neville Agnew and Martha Demas 2004 |
| deposition | Urkesh Global Record | Principles > Emplacement and deposition |
| deposition | Urkesh Global Record | Principles > Inferences about deposition |
| Dercksen | Abstracts | Jan Gerrit Dercksen (ed.) 2008 |
| Jan Gerrit Dercksen (ed.) 2008 |
| descriptive details (style) | ART / Style | Experiments in style > Descriptive details |
| design | | Design |
| diacritics (texts) | | TEXTS > Diacritics |
| dialog | | The itinerary as narrative > The narrative as dialog |
| digital | PRINCIPLES | Digital thought > Electronic vs. digital |
| Digital Archaeological Archive of Comparative Slavery | Evaluation | Comparative analysis of archaeological websites > DAACS - Digital Archaeological Archive of Comparative Slavery |
| digital argument: notion | PRINCIPLES | Digital thought > The notion of digital argument |
| digital authorship | PRINCIPLES | Digital thought > 2. The risks of digital authorship |
| digital (bibliography) | MAJOR THEMES | Digital |
| digital discourse | PRINCIPLES | Digital thought > 1. Digital discourse |
| digital discourse: comparison of narratives | PRINCIPLES | Digital thought > A comparison of narratives |
| digital discourse: database & narrative | PRINCIPLES | Digital thought > Database and narrative |
| digital discourse: digital vs. non-digital narrative | PRINCIPLES | Digital thought > 3. Digital vs. non-digital narrative |
| digital discourse: discourse & narrative | PRINCIPLES | Digital thought > Discourse and narrative |
| digital discourse: historical background | PRINCIPLES | Digital thought > Historical background |
| digital discourse: primary narrative | PRINCIPLES | Digital thought > Primary narrative |
| digital discourse: sequentiality | PRINCIPLES | Digital thought > Sequentiality |
| digital monographs | Introduction | Digital monographs |
| digital narrative | PRINCIPLES | Digital thought > 2. Digital narrative |
| digital narrative: types | PRINCIPLES | Digital thought > Types of narrative |
| digital publishing | PRINCIPLES | Digital thought > Digital thought in practice: digital publishing |
| digital publishing: process | PRINCIPLES | Digital thought > 1. The process |
| digital publishing: risks (digital authorship) | PRINCIPLES | Digital thought > 2. The risks of digital authorship |
| digital reading | PRINCIPLES | Digital thought > Reading and digital reading |
| digital reading: actions | PRINCIPLES | Digital thought > 2. The actions |
| digital reading: consulting vs. studying | PRINCIPLES | Digital thought > Consulting vs. studying |
| digital reading: digital reading | PRINCIPLES | Digital thought > Reading and digital reading |
| digital reading (excursus: reading) | BIBLIOGRAPHICAL EXCURSUSES | Reading > Digital reading |
| digital reading: inquiry paths | PRINCIPLES | Digital thought > Inquiry paths |
| digital reading: intersecting registers | PRINCIPLES | Digital thought > The dialectics of intersecting registers |
| digital reading: juxtaposed registers | PRINCIPLES | Digital thought > The dialectics of juxtaposed registers |
| digital reading: mechanisms | PRINCIPLES | Digital thought > 3. The mechanisms |
| digital reading: posture of reader | PRINCIPLES | Digital thought > The posture of the reader |
| digital reading: reflection | PRINCIPLES | Digital thought > Reflection |
| digital reading: risks | PRINCIPLES | Digital thought > Risks of uncritical digital reading |
| digital reading: search funcion | PRINCIPLES | Digital thought > The search function |
| digital reading: user | PRINCIPLES | Digital thought > 1. The persons |
| digital reading: user vs. reader | PRINCIPLES | Digital thought > User vs. reader |
| digital text: approaches | PRINCIPLES | Digital thought > 4. Four types of digital texts |
| digital text: notion | PRINCIPLES | Digital thought > 1. The notion of digital text |
| digital text: structure: structure: digital text | PRINCIPLES | Digital thought > Structure of a digital text |
| digital text: UGR | PRINCIPLES | Digital thought > The Urkesh Global Record as a digital text |
| digital thought | PRINCIPLES | Digital thought |
| digital thought: alphabet | PRINCIPLES | Digital thought > The alphabet |
| digital thought: antecedents of writing | PRINCIPLES | Digital thought > The antecedents of writing |
| digital thought: application of theory | PRINCIPLES | Digital thought > 1. The application of the theory |
| digital thought: articulation | PRINCIPLES | Digital thought > Articulation of digital thought |
| Digital thought > The articulation of digital thought proper |
| digital thought: automation | PRINCIPLES | Digital thought |
| digital thought: browser edition | PRINCIPLES | Digital thought > Browser edition |
| digital thought: capillarity | PRINCIPLES | Digital thought > Capillarity |
| digital thought: comparison | PRINCIPLES | Digital thought > A comparison |
| digital thought: concepts | PRINCIPLES | Digital thought |
| digital thought: conceptual correlations | PRINCIPLES | Digital thought > Conceptual correlations |
| digital thought: corollaries | PRINCIPLES | Digital thought > 2. Corollaries |
| digital thought: correlates | PRINCIPLES | Digital thought > Correlates and conclusion |
| digital thought: deconstruction | PRINCIPLES | Digital thought > Structure and deconstruction |
| digital thought: definitions | PRINCIPLES | Digital thought > 1. Definitions |
| digital thought: digital publishing | PRINCIPLES | Digital thought |
| digital thought: digital reading | PRINCIPLES | Digital thought |
| digital thought: digital text | PRINCIPLES | Digital thought |
| Digital thought |
| digital thought: discontinuity | PRINCIPLES | Digital thought > 2. Discontinuity and non-linearity |
| Digital thought > Discontinuity |
| digital thought: discontinuity/reconfiguration | PRINCIPLES | Digital thought |
| digital thought: discontinuity/reconfiguration (definitions) | PRINCIPLES | Digital thought > Definitions |
| digital thought: discourse and narrative | PRINCIPLES | Digital thought |
| digital thought: dislocation | PRINCIPLES | Digital thought > Bridging the dislocation |
| digital thought: dislocation of natural sequence | PRINCIPLES | Digital thought > The dislocation of the natural sequence |
| digital thought: examples | PRINCIPLES | Digital thought |
| Digital thought > Examples |
| digital thought: flattening of levels | PRINCIPLES | Digital thought > The flattening of the three levels |
| digital thought: fluidity | PRINCIPLES | Digital thought > 2. Fluidity |
| digital thought: formal | PRINCIPLES | Digital thought > The Urkesh Global Record |
| digital thought: frame & ToC | PRINCIPLES | Digital thought > The frame: site map and table of contents |
| digital thought: graphica tabulation of data | PRINCIPLES | Digital thought > Graphic tabulation of data |
| digital thought: Gutenberg > Encyclopédie | PRINCIPLES | Digital thought > From Gutenberg to the Encyclopédie |
| digital thought: hierarchy of nodes | PRINCIPLES | Digital thought > A hierarchy of nodes |
| digital thought: historical background | PRINCIPLES | Digital thought > Historical background |
| digital thought: historical perspective | PRINCIPLES | Digital thought |
| digital thought: history > post-history | PRINCIPLES | Digital thought > From history to post-history |
| digital thought: history (schematic overview) | PRINCIPLES | Digital thought > A schematic overview |
| digital thought: hyperlinks | PRINCIPLES | Digital thought > Hyperlinks – informational and thematic |
| digital thought: intuition | PRINCIPLES | Digital thought > Intuition |
| digital thought: ledgers | PRINCIPLES | Digital thought > Ledgers |
| digital thought: linear & poly-segmental | PRINCIPLES | Digital thought > Linear and poly-segmental |
| digital thought: literacy (origins) | PRINCIPLES | Digital thought > 3. Becoming literate |
| digital thought: literacy (spread) | PRINCIPLES | Digital thought > The spread of literacy |
| digital thought: long argument | PRINCIPLES | Digital thought > “One long argument” |
| digital thought: maps | PRINCIPLES | Digital thought > Maps |
| digital thought: mechanisms (corollaries) | PRINCIPLES | Digital thought > 3. Mechanisms |
| digital thought: multi-layering | PRINCIPLES | Digital thought > Multi-layering |
| digital thought: multi-linearity | PRINCIPLES | Digital thought > 2. Multi-linearity |
| digital thought: nature of discontinuity | PRINCIPLES | Digital thought > 1. The nature of discontinuity |
| digital thought: new continuity | PRINCIPLES | Digital thought > 2. The new continuity |
| digital thought: non-contiguity | PRINCIPLES | Digital thought > Non-contiguity |
| Digital thought > Non-contiguity |
| digital thought: non-contiguity/capillarity | PRINCIPLES | Digital thought |
| digital thought: non-contiguity/capillarity (concept) | PRINCIPLES | Digital thought > The concept |
| digital thought: non-digital multi-linearity | PRINCIPLES | Digital thought > 3. Non-digital multi-linearity |
| digital thought: non-discontinuity | PRINCIPLES | Digital thought > Discontinuity |
| digital thought: non-linearity | PRINCIPLES | Digital thought > 2. Discontinuity and non-linearity |
| Digital thought > Non-linearity |
| Digital thought > Non-linearity |
| digital thought: non-linearity/multi-linearity | PRINCIPLES | Digital thought |
| digital thought: non-linearity/multi-linearity (concepts & terminology) | PRINCIPLES | Digital thought > Concepts and terminology |
| digital thought: non-linearity/multi-linearity (mechanisms) | PRINCIPLES | Digital thought > 1. Mechanisms |
| digital thought: notion | PRINCIPLES | Digital thought > The notion of digital thought |
| digital thought: orality | PRINCIPLES | Digital thought > Orality |
| Digital thought > Premise: Orality |
| digital thought: para-digital (concept) | PRINCIPLES | Digital thought > The concept of para-digital |
| digital thought: para-literate (concept) | PRINCIPLES | Digital thought > The concept of para-literate |
| digital thought: perception (role) | PRINCIPLES | Digital thought > The role of perception |
| digital thought: perceptual discontinuity | PRINCIPLES | Digital thought > Perceptual discontinuity |
| digital thought: perceptual impact of writing | PRINCIPLES | Digital thought > The perceptual impact of writing |
| digital thought: polyhedral argument | PRINCIPLES | Digital thought > The polyhedral argument |
| digital thought: practice | PRINCIPLES | Digital thought > Digital thought in practice: digital publishing |
| digital thought: pre-configurated narrative | PRINCIPLES | Digital thought > 2. Pre-configured narrative |
| digital thought: pre-digital non-linearity | PRINCIPLES | Digital thought > Pre-digital non-linearity |
| digital thought: pre-digital > para-digital | PRINCIPLES | Digital thought > 4. From pre-digital to para-digital |
| digital thought: preface & statement | PRINCIPLES | Digital thought > Statement of purpose: preface |
| digital thought: prehistory > history | PRINCIPLES | Digital thought > From prehistory to history |
| digital thought: pre-literate > para-literate | PRINCIPLES | Digital thought > 1. From pre-literate to para-literate |
| digital thought: proper | PRINCIPLES | Digital thought > The articulation of digital thought proper |
| digital thought: reconfiguration | PRINCIPLES | Digital thought > Reconfiguration: the frame and the fragments |
| digital thought: reflection | PRINCIPLES | Digital thought > Reflection |
| digital thought: scroll > codex | PRINCIPLES | Digital thought > From scroll to codex |
| digital thought: segmentation | PRINCIPLES | Digital thought > Titled segmentation |
| digital thought: self-generated narrative | PRINCIPLES | Digital thought > 3. Self-generated narrative |
| digital thought: sequence | PRINCIPLES | Digital thought > 1. The pre-configured narrative |
| digital thought: sequentiality | PRINCIPLES | Digital thought > Sequentiality |
| digital thought: structural discontinuity | PRINCIPLES | Digital thought > Structural discontinuity: The three levels of interaction |
| digital thought: structure | PRINCIPLES | Digital thought > Structure: the three great disparities |
| digital thought: structure vs. narrative | PRINCIPLES | Digital thought > Structure vs. function |
| digital thought: test | PRINCIPLES | Digital thought > A test |
| digital thought: updates | PRINCIPLES | Digital thought > Updates |
| digital thought: writing | PRINCIPLES | Digital thought > The introduction of writing |
| digital vs. electronic | PRINCIPLES | Digital thought > Electronic vs. digital |
| digital vs. non-digital narrative | PRINCIPLES | Digital thought > 3. Digital vs. non-digital narrative |
| Dilleman | Abstracts | Louis Dilleman 1962 |
| Louis Dilleman 1962 |
| Di Martino | Abstracts | Silvia Di Martino 2005 |
| Silvia Di Martino 2005 |
| directories | Site Map | Directories and tallies |
| Di Salvo | Abstracts | Santina Di Salvo 2018 |
| discontinuity | PRINCIPLES | Digital thought > 2. Discontinuity and non-linearity |
| Digital thought > Discontinuity |
| discontinuity (nature) | PRINCIPLES | Digital thought > 1. The nature of discontinuity |
| discontinuity: perceptual | PRINCIPLES | Digital thought > Perceptual discontinuity |
| discontinuity/reconfiguration (definitions) | PRINCIPLES | Digital thought > Definitions |
| discontinuity: structural | PRINCIPLES | Digital thought > Definitions |
| Digital thought > Structural discontinuity: The three levels of interaction |
| discourse | PRINCIPLES | Digital thought |
| Digital thought > Discourse and narrative |
| discursive sidebar (left-hand side) | Urkesh Global Record | Details of the page organization > The left sidebar (red): discursive |
| dislocation of natural sequence | PRINCIPLES | Digital thought > The dislocation of the natural sequence |
| display | | Conservation and presentation > Preservation and display |
| PRINCIPLES | The nature of documentary communication > Display |
| display collection: main | Storage | Display collections > The main display collection |
| display collection: nature | Storage | Display collections > Nature of display collections |
| display collections | Storage | Display collections |
| dissertations | PROJECT PUBLICATIONS | Dissertations |
| divine names index | Search | Urkesh divine names |
| documentary publication | | The scholarly dimension > Site presentation as documentary publication |
| PRINCIPLES | The nature of documentary communication |
| documentary publication: nature | PRINCIPLES | The nature of documentary communication > The nature of documentary communication |
| documentary websites | Evaluation | Comparative analysis of archaeological websites > Documentary |
| documentary websites: brochures | Evaluation | Comparative analysis of archaeological websites > Brochure |
| documentary websites: databases | Evaluation | Comparative analysis of archaeological websites > Database |
| documentary websites: discursive | Evaluation | Comparative analysis of archaeological websites > Discursive |
| documentary websites: linear (PDF) | Evaluation | Comparative analysis of archaeological websites > Linear (PDF) |
| documentary websites: visuals | Evaluation | Comparative analysis of archaeological websites > Visuals |
| documentation | Principles | Conservation as publication > Documentation |
| Storage | Principles of archaeological storage > 4. Documentation |
| Urkesh Global Record | Principles > Documentation, narrative and argument |
| documentation: reductionism | Urkesh Global Record | Principles > Reductionist documentary approach |
| Dohmann-Pfälzner | Abstracts | Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Heike Dohmann-Pfälzner and Peter Pfälzner 2002 |
| Heike Dohmann-Pfälzner and Peter Pfälzner 2002 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2000 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2000 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2001 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2001 |
| Dolce | Abstracts | Rita Dolce 2002 |
| Rita Dolce 2002 |
| Doll | Abstracts | Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| domains | PRINCIPLES | Domains |
| door sealings | | 9. Reception suite of the Palace > The protocol of the sealed doors (PDF 824K) |
| draped quilts | Preservation | History of wall conservation project |
| Duday | Abstracts | A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| dumu endan (= prince): seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| durability | Urkesh Global Record | The UGR input: Databases > Durability and portability |
| dynamic constructs | Introduction | The scholars > Dynamic constructs |
| early city-states (3200-2350 BC) | Setting | History > 3200-2350: Early city-states |
| eastern top of the main staircase | Urkesh Global Record / Units | Book J4 |
| eco-archaeological park | DEVELOPMENT | The park |
| Education | THE MOZAN/URKESH ECO-ARCHAEOLOGICAL PARK |
| education | | EDUCATION AND OUTREACH |
| EDUCATION AND OUTREACH |
| Introduction | Broader public > Education |
| Edzard | Abstracts | Dietz Otto Edzard and Annelies Kammenhuber 1972-1975 |
| Dietz Otto Edzard and Annelies Kammenhuber 1972-1975 |
| Dietz Otto Edzard and Gertrud Farber 1974 |
| Dietz Otto Edzard and Gertrud Farber 1974 |
| Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| Eidem | Abstracts | Klaas Veenhof and Jesper Eidem 2008 |
| electronic | PRINCIPLES | Digital thought > Electronic vs. digital |
| electronic vs. digital | PRINCIPLES | Digital thought > Electronic vs. digital |
| E-Library | | E-LIBRARY |
| E-LIBRARY |
| empire: boundary | Setting | History > At the boundary of the empire |
| emplacement | Urkesh Global Record | Principles > Emplacement and deposition |
| Encyclopédie | PRINCIPLES | Digital thought > From Gutenberg to the Encyclopédie |
| endans | Setting | History > The list of kings (endans) |
| endan (title = “king”) | Search | Urkesh word index |
| envelope of a letter(?) | TEXTS | Letters > l2 - A7.324.2 - Envelope of a letter(?) |
| Letters > l3 - A7.324.3 - Envelope of a letter(?) |
| environment | GEOGRAPHY | Environment |
| environmental conditions | Object Conservation | 3. Environmental conditions |
| Preservation | Environmental conditions |
| environment: fields | GEOGRAPHY | Environment > Fields |
| environment: overview | GEOGRAPHY | Environment > Overview |
| environment: trees | GEOGRAPHY | Environment > Trees |
| ephemerides | Annals | Ephemerides |
| ephemeris | Annals | Concepts > Ephemeris |
| epigonic factor | PRINCIPLES | Theory > The epigonic factor |
| ethics (excursus): authorship | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Authorship |
| ethics (excursus): colonialism | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Colonialism and not |
| ethics (excursus): social responsability | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Social responsibility |
| ethics in archaeological practice (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice |
| evaluation | Site Conservation | Evaluation |
| evaluation (conservation): criteria | Site Conservation | Criteria for evaluation |
| evaluation: criteria | Preservation | Criteria for evaluation |
| Evans | Abstracts | Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| Joan Aruz, Kim Benzel and Jean M. Evans 2008 |
| excavation | | The intended audiences > Excavations, presentation, conservation |
| excavation process = data | Urkesh Global Record | The epistemological dimension > The excavation process as data |
| excavation strategy | | The scholarly dimension > Integration within the excavation strategy |
| excavation techniques | Education | Training in excavations techniques |
| excavation unit | Urkesh Global Record | The epistemological dimension > The centrality of the excavation unit |
| exhibit for the American Cultural Center in Damascus (poster) | The project | Reserved access to the Mozan staff |
| exhibits | PROJECT PUBLICATIONS | Guide Books and Exhibits |
| exhibits: 2010-2011 | PROJECT PRESENTATIONS | Exhibits > 2010-2011 |
| exhibits: 2012 | PROJECT PRESENTATIONS | Exhibits > 2012 |
| exhibits: 2014 | PROJECT PRESENTATIONS | Exhibits > 2014 |
| exhibits: 2014-2015 | PROJECT PRESENTATIONS | Exhibits > 2014-2015 |
| exhibits: 2015 | PROJECT PRESENTATIONS | Exhibits > 2015 |
| exhibits: 2016 | PROJECT PRESENTATIONS | Exhibits > 2016 |
| exhibits: 2017 | PROJECT PRESENTATIONS | Exhibits > 2017 |
| exhibits: 2018 | PROJECT PRESENTATIONS | Exhibits > 2018 |
| exhibits: 2019 | PROJECT PRESENTATIONS | Exhibits > 2019 |
| exhibits (Damascus, 2010-2011): project | PROJECT PRESENTATIONS / Exhibits | Urkesh Exhibit |
| exhibits (Domodossola, 2015): project | PROJECT PRESENTATIONS / Exhibits | Urkesh Exhibit |
| exhibits: project | PROJECT PRESENTATIONS | Exhibits |
| exhibits (publications) | PROJECT PUBLICATIONS / Books | All books > Guide Books and Exhibits |
| exhibits: Qamishli | DEVELOPMENT | Exhibits in Qamishli |
| exhibits: Qamishli 2017 | SCHOOLS | Universities in Syria > 2017: The Exhibit in Qamishli |
| exhibits (Qamishli, 2017): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibits |
| exhibits: Rimini | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 9. Dall’alto |
| exhibits: Rimini (conferenze) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 10. Conferenze |
| exhibits: Rimini (effetti speciali | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 6. Effetti speciali |
| exhibits (Rimini Exhibit): project | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| exhibits (Rimini Exhibit: Room 3): project | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| exhibits (Rimini Exhibit: Room 4 - Urkesh): project | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| Rimini Exhibit |
| exhibits (Rimini Exhibit: Room 6): project | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| exhibits (Rimini Exhibit: Rooms): project | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| exhibits: Rimini (guide) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 8. Le guide |
| exhibits: Rimini (ingresso | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 1. L’ingresso |
| exhibits (Rimini Meeting): project | PROJECT PRESENTATIONS / Exhibits | Rimini Meeting |
| exhibits: Rimini (piccoli visitatori | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 5. I piccoli… |
| exhibits: Rimini (Room 2) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > Room 2 |
| exhibits: Rimini (Room 3) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > Room 3 |
| exhibits: Rimini (Room 4 - Urkesh) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > Room 4 - Urkesh |
| exhibits: Rimini (Room 5 - Urkesh) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > Room 5 - Urkesh |
| exhibits: Rimini (Room 6) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > Room 6 |
| exhibits: Rimini (sostenitori) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 2. I panelli dei sostenitori |
| exhibits: Rimini (visitatori) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 3. Alcuni dei 25.000 visitatori |
| exhibits: Rimini (visitatori speciali) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 4. Visitatori speciali |
| exhibits: Rimini (volontari) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit > 7. I volontari durante l’installazione |
| exhibits (Subartu Exhibit): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 10): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 11): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 12): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 13): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 14): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 15): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 1): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 2): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 3): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 4): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 5): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 6): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 7): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 8): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir poster 9): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Tell She’ir): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits: Subartu Exhibit (Urkesh) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit > Urkesh Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 10): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 11): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 12): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 13): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 14): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 15): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 16): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 17): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 18): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 19): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 1): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 2): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 3): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 4): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 5): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 6): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 7): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 8): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits (Subartu Exhibit: Urkesh poster 9): project | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| exhibits: Subartu (Qamishli and Amuda, 2014-2015) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibits |
| exhibits (UCLA Open House, 2015): project | PROJECT PRESENTATIONS / Exhibits | UCLA Open House |
| expansion | Principles | Scope of archaeological preservation > Expansion of the initial state |
| experience (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Experience |
| experience (excursus): writing & culture | BIBLIOGRAPHICAL EXCURSUSES | Experience > Writing and culture |
| experimentation > implementation | | For a chronicle of site presentation at Tell Mozan > From experimentation to implementation |
| experiments: style | ART / Style | Experiments in style |
| explicitness | Urkesh Global Record | Principles > Explicitness about precision and strategy |
| extrinsicism | Principles | Extrinsicism and not |
| faces of Urkesh | | The faces of Urkesh |
| facilities | Storage | Facilities that house the collections |
| Facilities that house the collections > The facilities |
| Faivre | Abstracts | Xavier Faivre and Christophe Nicolle 2007 |
| Xavier Faivre and Christophe Nicolle 2007 |
| Falb | Abstracts | Christian Falb 2009 |
| Farber | Abstracts | Dietz Otto Edzard and Gertrud Farber 1974 |
| Dietz Otto Edzard and Gertrud Farber 1974 |
| Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| feedback | | Feedback |
| feedback: children | | Feedback from children |
| feedback: children (Randolph) | | Center Grove Elementary School, Randolph, NJ |
| Feinberg | Abstracts | Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| field conservation | Preservation | Conservation: work in the field |
| fields | GEOGRAPHY | Environment > Fields |
| field school | Education | Field school |
| figurines | Site | Major finds |
| figurines: animal (birds) | OBJECTS / Figurines | Human Figurines > Typology of Birds |
| figurines: animal (typology) | OBJECTS / Figurines | Animal Figurines |
| figurines: animal, typology (bibliography) | OBJECTS / Figurines | Animal Figurines > Bibliography |
| figurines: bibliography | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: birds | OBJECTS / Figurines | Human Figurines |
| figurines: female (cylindrical body) | OBJECTS / Figurines | Human Figurines |
| figurines: female, cylindrical body (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: female (depression on top of head) | OBJECTS / Figurines | Human Figurines |
| figurines: female, depression on top of head (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: female (flat body) | OBJECTS / Figurines | Human Figurines |
| figurines: female, flat body (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: female (holding breasts) | OBJECTS / Figurines | Human Figurines |
| figurines: female, holding breasts (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: female (pointed face figures) | OBJECTS / Figurines | Human Figurines |
| figurines: female, pointed face figures (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: female (realistic) | OBJECTS / Figurines | Human Figurines |
| figurines: female, realistic (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: human | OBJECTS / Figurines | Human Figurines |
| Human Figurines |
| figurines: human (female typology) | OBJECTS / Figurines | Human Figurines > Human Female Typology |
| figurines: human heads | OBJECTS / Figurines | Human Figurines |
| figurines: human (heads) | OBJECTS / Figurines | Human Figurines > Typology of Human Heads |
| figurines: human heads (typology) | OBJECTS / Figurines | Human Figurines |
| figurines: human heads, typology (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: human (male) | OBJECTS / Figurines | Human Figurines > Human Figurines: Typology of Males |
| figurines: male (typology) | OBJECTS / Figurines | Human Figurines |
| figurines: male, typology (bibliography) | OBJECTS / Figurines | Human Figurines > Bibliography |
| figurines: measuring | METHODS: ANALYSIS | Measuring figurines |
| figurines: measuring (Urkesh system) | METHODS: ANALYSIS | Measuring figurines > The Urkesh system |
| film | PRINCIPLES | Video and film |
| flattening of levels | PRINCIPLES | Digital thought > The flattening of the three levels |
| floors: conservation | Site Conservation | Site conservation techniques: floors |
| fluidity | PRINCIPLES | Digital thought > 2. Fluidity |
| flyers | | The flyers |
| The itinerary as narrative > The flyers |
| Education | Current flyers |
| flyers: download | | The flyers > Downloads |
| flyers: purpose | | The flyers > Purpose |
| folios | The faces of Urkesh | The Folios |
| follow-up | Education | Follow-up |
| fonts | Navigation | Page structure > Fonts |
| formal courtyard | | 9. Reception suite of the Palace > The formal courtyard (PDF 213K) |
| Forte | Abstracts | Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| Federico Buccellati, Nicoló Dell'Unto, Maurizio Forte 2005 |
| foundations | Support | Foundations |
| four horizons | | 13. The broader limits > The four horizons (PDF) |
| fragmentary record of copper | TEXTS | Administrative texts > a3 - A10.163 - Fragmentary record of copper |
| fragment of a letter-order(?) | TEXTS | Letters > l1 - A5.q846.1 - Fragment of a letter-order(?) |
| Frahm | Abstracts | Ellery Frahm 2014 |
| Ellery Frahm 2014 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm and Joshua M. Feinberg 2013 |
| Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| frame and ToC | PRINCIPLES | Digital thought > The frame: site map and table of contents |
| Franklin | Abstracts | Kristine L. Franklin and Nancy McGirr (eds.) 1995 |
| frontality, double (style) | ART / Style | Experiments in style > Double frontality |
| frontality, full (style) | ART / Style | Experiments in style > Full frontality |
| frontality (style) | ART / Style | Experiments in style > Frontality |
| fruition | Principles | Scope of archaeological preservation > Statics and dynamics: the things and their fruition |
| Fs. Buccellati, Kelly-Buccelati | PROJECT PUBLICATIONS / Books | All books > SANEM 3 |
| function | PRINCIPLES | The role of perception > Function and perception |
| future | | The impact of tourism > The future |
| DEVELOPMENT | AVASA |
| Gadd | Abstracts | Cyril John Gadd 1940 |
| Cyril John Gadd 1940 |
| Cyril John Gadd 1971 |
| Cyril John Gadd 1971 |
| gallery of images | The faces of Urkesh | Kaleidoscope > A gallery of images |
| gamble with continuity | PRINCIPLES | Digital thought > The gamble with continuity |
| Gelb | Abstracts | Ignace Jay Gelb 1944 |
| Ignace Jay Gelb 1944 |
| general layout | Navigation | Page structure > General layout |
| general overview | Introduction | Broader public > General overview |
| general principles | Education | General principles: An overview |
| geographical background | | Setting |
| geography | Setting | Geography |
| geography: bibliography | Setting | Geography > Bibliography and links |
| Georgia. Paese d’oro e di fede | PROJECT PUBLICATIONS / Books | All books > Georgia |
| PROJECT PUBLICATIONS / Guide Books and Exhibits | Georgia. Paese d'oro e di fede |
| Gerth | Abstracts | Hand H. Gerth and Charles Wright Mills 1958 |
| Gianmaria Buccellati | Support | Gianmaria Buccellati |
| Giorgieri | Abstracts | Clelia Mora and Mauro Giorgieri 2016 |
| Mauro Giorgieri 2000 |
| Mauro Giorgieri 2000 |
| Mauro Giorgieri 2000 |
| Mauro Giorgieri 2000 |
| Mauro Giorgieri 2013 |
| Mauro Giorgieri 2013 |
| Gladwell | Abstracts | Malcolm Gladwell 2005 |
| Glazier | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| global record | Site Conservation | Recording > The global record |
| Urkesh Global Record | Principles > Global record |
| glyptics | Search | Glyptics |
| glyptics: animals | Search | Glyptics > Animals |
| glyptics (bibliography) | MAJOR THEMES | Seals and sealings (i.e., glyptics) |
| glyptics: lions | Search | Glyptics > Lions |
| glyptics: no iconography preserved | TEXTS / Seal legends | Tupkish |
| goals | | Goals and procedures |
| Goetze | Abstracts | Albrecht Goetze 1953 |
| Albrecht Goetze 1953 |
| Goody | Abstracts | Jack Goody 1986 |
| Grafton | Abstracts | Anthony Grafton 1997 |
| grammar | Urkesh Global Record | The UGR concept > The grammar |
| grammar: index (manual) | Search | Topical index (grammar) |
| grammar of space | Urkesh Global Record | Principles > Grammar of space |
| grammatology (excursus: writing) | BIBLIOGRAPHICAL EXCURSUSES | Writing > Grammatology |
| graphemics | LANGUAGES / Writing | Graphemics |
| graphemics: symbols | LANGUAGES / Writing | Symbols and Conventions > Graphemics |
| graphemics: symbols and conventions | LANGUAGES / Writing | Symbols and Conventions |
| graphics | Navigation | Page structure > Photos and graphics |
| graphic tabulation | PRINCIPLES | Digital thought > Graphic tabulation of data |
| Great Plaza | Urkesh Global Record / Units | Area JP |
| Greece | | Youngsters without borders |
| SCHOOLS | High schools |
| group to group | | Group to group |
| guide | Preface | A guide for first timers |
| guidebook | | Early printed materials > Guidebook |
| Education | Guidebook |
| guidebooks | Education | Guidebooks |
| guide books | PROJECT PUBLICATIONS | Guide Books and Exhibits |
| PROJECT PUBLICATIONS / Books | All books > Guide Books and Exhibits |
| guide for ‘perplexed’ | Preface | A "Guide for the Perplexed" |
| Gulfsands | Support | Gulfsands |
| Gutenberg | PRINCIPLES | Digital thought > From Gutenberg to the Encyclopédie |
| Güterbock | Abstracts | Hans Gustav Güterbock 1951-1952 |
| Hans Gustav Güterbock 1951-1952 |
| Hans Gustav Güterbock 1951-1952 |
| Hans Gustav Güterbock 1954-1955 |
| Hans Gustav Güterbock 1954-1955 |
| Hans Gustav Güterbock 1954-1955 |
| Hans Gustav Güterbock 1965 |
| Hallo | Abstracts | William Wolfgang Hallo 1962 |
| William Wolfgang Hallo 1962 |
| William Wolfgang Hallo 1962 |
| William Wolfgang Hallo 1964 |
| William Wolfgang Hallo 1964 |
| William Wolfgang Hallo 1978 |
| William Wolfgang Hallo 1978 |
| Hamilton | Abstracts | Edith Hamilton and Huntington Cairnes (eds.) 1961 |
| Harper | Abstracts | Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Harris | Abstracts | Edward Cecil Harris 1989 |
| Excursus | Theory of the archaeological process > Harris |
| Hassaka Museum | | For a chronicle of site presentation at Tell Mozan > Collaboration with the Metropolitan Museum of Art |
| Education | The Hassaka Museum |
| The provincial Museum at Hassaka |
| Hauser | Abstracts | J. Zarins and R. Hauser 2014 |
| J. Zarins and R. Hauser 2014 |
| Rick Hauser 1998 |
| Rick Hauser 1998 |
| Rick Hauser 2015 |
| Rick Hauser 2015 |
| Hawkins | Abstracts | David Hawkins 2007 |
| David Hawkins 2007 |
| heritage (bibliography) | MAJOR THEMES | Heritage |
| heritage: multimedia | MAJOR THEMES | Digital > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| Heritage > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| hierarchy of nodes | PRINCIPLES | Digital thought > A hierarchy of nodes |
| higher nodes | PRINCIPLES | 2. Argument > The higher nodes |
| highlights | Preface | Highlights |
| High Mound | | The panels of the welcome cluster > 2. Entering the High Mound |
| high nodes | Urkesh Global Record | Principles > High nodes |
| high schools | SCHOOLS | High schools |
| hinterland | DEVELOPMENT | The everlasting hinterland |
| historical background | | Setting |
| history | DEVELOPMENT | The park |
| history: overview | Setting | History |
| history: political development | Setting | History |
| history > post-history | PRINCIPLES | Digital thought > From history to post-history |
| history: Urkesh chronology | Setting | History |
| Holland | Abstracts | Thomas A. Holland 2006 |
| horizons | | HORIZONS |
| horizons: ceramics | | HORIZONS > Ceramic horizons |
| horizons: concept | | HORIZONS > The concept |
| horizons: main frame | | HORIZONS > The main frame |
| horizons: subdivisions | | HORIZONS > Subdivisions |
| host country | | SYRIA – THE HOST COUNTRY |
| Hrouda | Abstracts | Barthel Hrouda 1958 |
| Barthel Hrouda 1958 |
| human figurines | OBJECTS / Figurines | Human Figurines |
| Human Figurines |
| humanities | PRINCIPLES | Humanities |
| humanities: bibliography | PRINCIPLES | Humanities > Bibliography |
| humidity | GEOGRAPHY | Temperature and humidity |
| Hurrian | LANGUAGES | Languages in context > Hurrian |
| Hurrian account concerning field taxations(?) | TEXTS | Administrative texts > a1 - A7.341 - Hurrian account concerning field taxations(?) |
| Hurrian music | Poets | Hurrian music, reinterpreted |
| The project | A solo reading in English |
| A solo rendering in Hurrian |
| Urkeshpublic | Hurrian music |
| Hurrians | Setting | History > Hurrians |
| Hurrians: bibliography | Setting | History > Bibliography |
| Hurrian style | ART / Style | Experiments in style |
| Hurrians: Urkesh | Setting | History |
| Hurrian ‘urban ledge’ | Setting | History > The Hurrian “urban ledge” |
| hyperlinks | Urkesh Global Record | The UGR concept > Hyperlinks |
| hyperlinks: information | PRINCIPLES | Digital thought > Hyperlinks – informational and thematic |
| hyperlinks: thematic | PRINCIPLES | Digital thought > Hyperlinks – informational and thematic |
| ideological landscapes | Setting | History > Ideological landscapes of the third millennium |
| illegible texts | TEXTS / Other texts | Illegible texts |
| images: gallery | The faces of Urkesh | Kaleidoscope > A gallery of images |
| images: unicum gallery | The faces of Urkesh | Kaleidoscope > The UNICUM Gallery |
| The UNICUM Gallery |
| images: unicum gallery (concept) | The faces of Urkesh | The UNICUM Gallery > The UNICUM concept |
| I millenni per l’oggi | PROJECT PUBLICATIONS / Books | All books > I millenni per l’oggi |
| PROJECT PUBLICATIONS / Guide Books and Exhibits | I millenni per l'oggi |
| I millenni per l’oggi (Arabic: جورجيو بوتشيالتي ستيفانيا إرميدورو ياسمين محمود) | PROJECT PUBLICATIONS / Books | All books > I millenni per l’oggi (Arabic:جورجيو بوتشيالتي ستيفانيا إرميدورو ياسمين محمود) |
| I millenni per l’oggi (Arabic: األلفية منأجل اليوم علم اآلثار يف مواجهة الحرب: أوركيش األمس يف سوريا اليوم) | PROJECT PUBLICATIONS / Guide Books and Exhibits | I millenni per l'oggi |
| impact | | The itinerary as narrative > The impact |
| imperial experiment (2350-2100 BC) | Setting | History > 2350-2100: The imperial experiment |
| implementation | | The "site as a book": the concept > Implementation |
| Design | Implementation |
| impressionistic publication | PRINCIPLES | 3. Narrative |
| impressionistic publication: examples | PRINCIPLES | 3. Narrative > Examples |
| impressionistic publication: nature | PRINCIPLES | 3. Narrative > The nature of impressionistic publication |
| impressionistic publication: value | PRINCIPLES | 3. Narrative > The value of impressionistic publication |
| incised sherd (from Urkesh) | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Urkesh |
| incised sherds (from Kamid el-Loz) | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Kamid el-Loz |
| incised sherds (from Tell Chuera) | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Tell Chuera |
| incomprehensible texts | TEXTS / Other texts | Incomprehensible texts |
| index: authors (bibliography) | | AUTHORS INDEX |
| index: contributors | Search | Indexed Items and Index Contributors |
| index: divine names | Search | Urkesh divine names |
| index: items | Search | Indexed Items and Index Contributors |
| index: labels | Search | Index to labels |
| Topical index |
| index: light | Urkesh_light | light_index |
| individuals | Support | Individuals |
| ineludibility | PRINCIPLES | Primary data > Irreplaceability and ineludibility of primary observation |
| inferences | Urkesh Global Record | Principles > Inferences about deposition |
| in-house collection: collections: in-house | Storage | In-house collections |
| in-house collection: goals | Storage | In-house collections > Goals |
| in memoriam | Doers | IN MEMORIAM |
| in memoriam: Barbara Pritzkat | IN MEMORIAM | Pritzkat, Barbara Ruth Wynn |
| in memoriam: Rick Hauser | IN MEMORIAM | Hauser, Rick |
| in memoriam: William Orrange | IN MEMORIAM | Orrange, William |
| Innin-shadu: seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| in progress (website development) | Navigation | Tiers and music > In progress |
| input files | Urkesh Global Record | The UGR input: Databases > Ordered input files as database |
| input = publication | Urkesh Global Record | The UGR concept > The input as publication |
| inquiry | PRINCIPLES | Digital thought > 4. The self-generated narrative |
| inquiry paths | | Inquiry paths |
| Design | Inquiry paths |
| PRINCIPLES | Digital thought > Inquiry paths |
| integration | | The scholarly dimension > Integration within the excavation strategy |
| PRINCIPLES | Digital thought > Intrinsic vs. extrinsic integration |
| interaction | Principles | Scope of archaeological preservation > Interaction |
| interactive websites | Evaluation | Comparative analysis of archaeological websites > Visual or Interactive |
| interested adults | | The intended audiences > Scholars and interested adults |
| interested groups | | The intended audiences > Special interest groups |
| internal record | Site Conservation | Recording > The internal record |
| interpretation | | INTERPRETATION |
| INTERPRETATION |
| SITE PRESENTATION > Interpretation and site presentation |
| Principles | Conservation as publication > Interpretation |
| interpretive frame | PRINCIPLES | Coherence > The interpretive frame |
| intersecting registers | PRINCIPLES | Digital thought > The dialectics of intersecting registers |
| in the eye of the storm | Preservation | In the Eye of the storm |
| introduction | | Introduction |
| introductory clips: UGR | Preface | A "Guide for the Perplexed" > Introductory clips to the Urkesh Global Record |
| introductory clips: website | Preface | A "Guide for the Perplexed" > Introductory clips to the website |
| intuition | PRINCIPLES | Digital thought > Intuition |
| inventory | PRINCIPLES | Digital thought > 2. The tally |
| Invitation to Mozan | PROJECT PUBLICATIONS / Books | All books > Invitation to Mozan |
| Invitation to Tell Mozan | PROJECT PUBLICATIONS / Guide Books and Exhibits | Invitation to Tell Mozan |
| irreplaceability | PRINCIPLES | Primary data > Irreplaceability and ineludibility of primary observation |
| Urkesh Global Record | Principles > Irreplaceability of original observations |
| Italy | | Youngsters without borders |
| SCHOOLS | High schools |
| item index | Search | Indexed Items and Index Contributors |
| itinerary | | The itinerary as narrative |
| The stations on the itinerary > The itinerary as narrative |
| J1 | Urkesh Global Record / Units | Book J1 |
| J2 | Urkesh Global Record / Units | Book J2 |
| J3 | Urkesh Global Record / Units | Book J3 |
| J4 | Urkesh Global Record / Units | Book J4 |
| J5 | Urkesh Global Record / Units | Book J5 |
| J6 | Urkesh Global Record / Units | Book J6 |
| J7 | Urkesh Global Record / Units | Book J7 |
| James | Abstracts | Peter James and Anthony Marinus van der Sluijs 2012 |
| Jones | Abstracts | Siân Jones 1997 |
| Joyce, James | PRINCIPLES | Digital thought > Historical background |
| JP | Urkesh Global Record / Units | Area JP |
| juxtaposed registers | PRINCIPLES | Digital thought > The dialectics of juxtaposed registers |
| kaleidoscope | The faces of Urkesh | Kaleidoscope |
| Kamid el-Loz: incised sherds | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Kamid el-Loz |
| Kammenhuber | Abstracts | Dietz Otto Edzard and Annelies Kammenhuber 1972-1975 |
| Dietz Otto Edzard and Annelies Kammenhuber 1972-1975 |
| Kara | Abstracts | Murat Akar and Demet Kara 2020 |
| Murat Akar and Demet Kara 2022 |
| Kelly-Buccellati | Abstracts | Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1967 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1967 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1977 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1990 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1991 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1991 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1994 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1995 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1996 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1997 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1998 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1998 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1999 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 1999 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2000 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2000 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2001 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2002 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2003 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2003 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2004 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2004 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2005 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2005 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2007 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2008 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2008 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2009 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2009 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2014 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2014 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2017 |
| Giorgio Buccellati and Marilyn Kelly-Buccellati 2017 |
| Marilyn Kelly-Buccellati 1977 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1990 |
| Marilyn Kelly-Buccellati 1996 |
| Marilyn Kelly-Buccellati 1996 |
| Marilyn Kelly-Buccellati 1996 |
| Marilyn Kelly-Buccellati 1996 |
| Marilyn Kelly-Buccellati 1998 |
| Marilyn Kelly-Buccellati 1998 |
| Marilyn Kelly-Buccellati 2002 |
| Marilyn Kelly-Buccellati 2002 |
| Marilyn Kelly-Buccellati 2004 |
| Marilyn Kelly-Buccellati 2004 |
| Marilyn Kelly-Buccellati 2005 |
| Marilyn Kelly-Buccellati 2005 |
| Marilyn Kelly-Buccellati 2005 |
| Marilyn Kelly-Buccellati 2005 |
| Marilyn Kelly-Buccellati 2006 |
| Marilyn Kelly-Buccellati 2006 |
| Marilyn Kelly-Buccellati 2010 |
| Marilyn Kelly-Buccellati 2010 |
| Marilyn Kelly-Buccellati 2010 |
| Marilyn Kelly-Buccellati 2010 |
| Marilyn Kelly-Buccellati 2012 |
| Marilyn Kelly-Buccellati 2012 |
| Marilyn Kelly-Buccellati 2013 |
| Marilyn Kelly-Buccellati 2013 |
| Marilyn Kelly-Buccellati 2015 |
| Marilyn Kelly-Buccellati 2015 |
| Marilyn Kelly-Buccellati 2016 |
| Marilyn Kelly-Buccellati 2016 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2018 |
| Marilyn Kelly-Buccellati 2019 |
| Marilyn Kelly-Buccellati 2019 |
| Marilyn Kelly-Buccellati 2019 |
| Marilyn Kelly-Buccellati 2020 |
| Kenneth L. Garrett | The faces of Urkesh | Kenneth L. Garrett |
| keywords | | KEYWORDS |
| Khabur (river and region) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| Kharobi | Abstracts | A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| A. Kharobi, P. Courtaud, and H. Duday 2014 |
| Arwa Kharobi, Giorgio Buccellati 2017 |
| Arwa Kharobi, Giorgio Buccellati 2017 |
| kings | Setting | History > The list of kings (endans) |
| King’s Quest | PRINCIPLES | Digital thought > King’s Quest: early game theory implementations of discontinuity and dynamic aggregation |
| kinship (‘secret’) | PRINCIPLES | Digital thought > The “secret kinship” |
| kiosk | | 2. The Temple "panorama" > The kiosk setup |
| 6. The Palace "panorama" > The kiosk set-up |
| Kumarbi | Search | Urkesh divine names > Kumarbi |
| Kumarbi (divine name) | Search | Urkesh divine names |
| Kupper | Abstracts | Jean-Robert Kupper 1998 |
| Jean-Robert Kupper 1998 |
| labels index | Search | Index to labels |
| Topical index |
| laboratory | Object Conservation | The laboratory |
| laboratory: ceramics | Object Conservation | The laboratory > Types of material: ceramics |
| laboratory: clay objects | Object Conservation | The laboratory > Types of material: clay objects |
| laboratory: facilities | Object Conservation | The laboratory > The facilities |
| laboratory: metal objects | Object Conservation | The laboratory > Types of material: metal objects |
| laboratory: process | Object Conservation | The laboratory > The process |
| laboratory: recording system | Object Conservation | The laboratory > Recording system |
| laboratory: staff | Object Conservation | The laboratory > The staff |
| Laneri | Abstracts | Nicola Laneri (ed.) 2015 |
| languages | | LANGUAGES |
| languages in context | LANGUAGES | Languages in context |
| larger nexus | | Monuments and stratigraphy > The larger nexus |
| later periods (after the Palace) | | The itinerary as narrative > 11-14. The later periods |
| The stations on the itinerary > Third cluster: the later periods |
| later settlements | Urkesh Global Record / Units | Area AA |
| Lawler | Abstracts | Andrew Lawler 2008 |
| Andrew Lawler 2008 |
| lectures: project | PROJECT PRESENTATIONS | Lectures |
| ledgers | PRINCIPLES | Digital thought > Ledgers |
| letters | TEXTS | Letters |
| levels of interaction | PRINCIPLES | Digital thought > Structural discontinuity: The three levels of interaction |
| Lewy | Abstracts | Hildegard Lewy 1971 |
| Hildegard Lewy 1971 |
| light index | Urkesh_light | light_index |
| linear argument | PRINCIPLES | Digital thought > Linear and poly-segmental |
| Linickt | Abstracts | M.I. Venkatesan, T.W. Linickt, H.E. Suess and G. Buccellati 1982 |
| link aggregation websites | Evaluation | Comparative analysis of archaeological websites > Link Aggregation Sites: |
| links | Navigation | Page structure > Links |
| links to useful website: other | OTHER PUBLICATIONS / Links | Other useful links |
| links to useful website: other (evaluation | OTHER PUBLICATIONS / Links | Other useful links; evaluation |
| lion of Tish-atal | Site | Excavations > The lion of Tish-atal |
| lions | Search | Glyptics |
| Glyptics > Lions |
| lions of Tish-atal | | 5. The Temple of the Lion > The lions of Tish-atal (PDF 595K) |
| The stations on the itinerary > 5. The Temple of the Lion (signpost and setup) |
| lions of Tish-atal: bibliography | WRITING | The lions of Tish-atal > Bibliography |
| lions of Tish-atal: chronology | WRITING | The lions of Tish-atal > Chronology |
| lions of Tish-atal: description | WRITING | The lions of Tish-atal > Description |
| lions of Tish-atal: inscriptions | WRITING | The lions of Tish-atal > Inscriptions |
| lions of Tish-atal: provenience | WRITING | The lions of Tish-atal > Provenience |
| lion: temple | Site | Excavations > The temple’s lion |
| literacy: origins | PRINCIPLES | Digital thought > 3. Becoming literate |
| literacy: spread | PRINCIPLES | Digital thought > The spread of literacy |
| Liverani | Abstracts | Mario Liverani 1968 |
| Mario Liverani 2003 |
| Mario Liverani 2003 |
| living museums | Evaluation | Comparative analysis of archaeological websites > Parks and Living Museums: |
| L. J. Skaggs and Mary D. Skaggs Foundation | Support | The L. J. Skaggs and Mary D. Skaggs Foundation |
| localization | | The "site as a book": the concept > Localization as semiotics |
| localized shelters | Preservation | Localized shelters |
| Site Conservation | Localized shelters |
| Protective systems > Broad base and localized shelters |
| local training | | Local training |
| logistics | Education | Logistics |
| logograms | LANGUAGES / Writing | Graphemics |
| long argument | PRINCIPLES | Digital thought > “One long argument” |
| long-term planning | Storage | Facilities that house the collections > Long term planning |
| lower sacral area | Urkesh Global Record / Units | Book A14 |
| lyre (glyptics motif) | TEXTS / Seal legends | Uqnitum |
| Macaulay | Abstracts | David Macaulay 1979 |
| MacDougal | Abstracts | Renata MacDougal 2014 |
| main files | Site Map | Main files |
| main frame (horizons) | | HORIZONS > The main frame |
| main sections | Introduction | Outline |
| Maiocchi | Abstracts | Massimo Maiocchi 2011 |
| Massimo Maiocchi 2011 |
| major themes (bibliography) | | MAJOR THEMES |
| major themes: ceramics (bibliography) | MAJOR THEMES | Ceramics |
| major themes: conservation (bibliography) | MAJOR THEMES | Conservation |
| major themes: digital (bibliography) | MAJOR THEMES | Digital |
| major themes: glyptics (bibliography) | MAJOR THEMES | Seals and sealings (i.e., glyptics) |
| major themes: heritage (bibliography) | MAJOR THEMES | Heritage |
| major themes: site presentation (bibliography) | MAJOR THEMES | Site Presentation |
| Makowski | Abstracts | Maciej Makowski 2013 |
| Mallowan | Abstracts | Max Edgar Lucien Mallowan 1937 |
| Max Edgar Lucien Mallowan 1937 |
| Max Edgar Lucien Mallowan 1947 |
| Max Edgar Lucien Mallowan 1947 |
| Max Edgar Lucien Mallowan 1971 |
| Max Edgar Lucien Mallowan 1971 |
| Max Edgar Lucien Mallowan 1977 |
| Max Edgar Lucien Mallowan 1977 |
| Mansfeld | Abstracts | Günter Mansfeld 1970 |
| manual arts | Education | Training in manual arts |
| Man with a Turban | The faces of Urkesh | The UNICUM Gallery > The James L. Walker “Man with a Turban” |
| maps | PRINCIPLES | Digital thought > Maps |
| materials: website | Education | Materials on the website |
| matrix | PRINCIPLES | Digital thought > 3. The matrix |
| Matthiae | Abstracts | Paolo Matthiae 2018 |
| McCarthy | Abstracts | Andrew McCarthy 2012 |
| McDonald | Abstracts | David Oates, Joan Oates and Helen McDonald 1997 |
| McGirr | Abstracts | Kristine L. Franklin and Nancy McGirr (eds.) 1995 |
| media coverage | | MEDIA COVERAGE |
| media coverage: blogs | MEDIA COVERAGE | Blogs |
| media coverage: broadcasts and videos | MEDIA COVERAGE | Broadcasts and videos |
| media coverage: on the fringes | MEDIA COVERAGE | On the fringes |
| media coverage: press | MEDIA COVERAGE | Press |
| media: types | PRINCIPLES | Communication > Types of media |
| Mellink | Abstracts | Machteld J. Mellink 1972-1975 |
| Machteld J. Mellink 1972-1975 |
| Mesopotamia | Setting | History > Mesopotamia |
| methodology | | METHODOLOGY |
| METHODOLOGY |
| methods | | TECHNIQUES |
| TECHNIQUES AND METHODS |
| Metropolitan Museum of Art | | For a chronicle of site presentation at Tell Mozan > Collaboration with the Metropolitan Museum of Art |
| Metropolitan Museum of Art (MMA) | Support | The Metropolitan Museum of Art |
| Michalowski | Abstracts | Piotr Michalowski 1951 |
| Piotr Michalowski 2003 |
| Piotr Michalowski 2003 |
| middle schools | SCHOOLS | Middle schools |
| middle schools: 2017/2018 | SCHOOLS | Middle schools > School year 2017/2018 |
| Milano | Abstracts | Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Mills | Abstracts | Hand H. Gerth and Charles Wright Mills 1958 |
| Mittani | | 11. The great Mittani shift |
| The stations on the itinerary > 11. The great Mittani shift (signpost and setup) |
| Mittani kingdom (1500-1300 BC) | Setting | History > 1500-1300: The Mittani kingdom |
| Mittani staircase | Urkesh Global Record / Units | Book J5 |
| modern erosion | Preservation | The document: modern erosion |
| modern Urkesh = urkesh.org | Preface | A guide for first timers > Modern urkesh.org |
| monitoring | Site Conservation | Monitoring |
| monitoring project: chronicle | Preservation | Chronicle of the monitoring project |
| monitoring project: history | Preservation | History of the monitoring project |
| monitoring through reconstruction | | RECONSTRUCTION > Monitoring through reconstruction |
| monuments | | Monuments and stratigraphy |
| monuments: access | Education | Direct access to the monuments |
| Mora | Abstracts | Clelia Mora and Mauro Giorgieri 2016 |
| Moser | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| Mousa | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| movement (style) | ART / Style | Experiments in style > Movement |
| Mozan 1 | Abstracts | Mozan 1 |
| PROJECT PUBLICATIONS / Books | All books > Mozan 1 |
| Mozan 2 | Abstracts | Mozan 2 |
| PROJECT PUBLICATIONS / Books | All books > Mozan 2 |
| Mozan Sitewide (MZS) | | MOZAN SITEWIDE |
| MZ SITEWIDE | NOTE |
| multi-layering | PRINCIPLES | Digital thought > Multi-layering |
| Digital thought > Scalarity and multi-layering |
| multi-linearity | PRINCIPLES | Digital thought > 2. Multi-linearity |
| multi-linearity: non-digital | PRINCIPLES | Digital thought > 3. Non-digital multi-linearity |
| multimedia | PROJECT PUBLICATIONS | Multimedia |
| multimedia: ceramics | MAJOR THEMES | Ceramics > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| multimedia: conservation | MAJOR THEMES | Conservation > 3. Links to multimidia outside Urkesh/E-Library. AVASA |
| multimedia: heritage | MAJOR THEMES | Digital > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| Heritage > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| multimedia: site presentation | MAJOR THEMES | Site Presentation > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| Muscarella | Abstracts | Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| Vaughn Emerson Crawford, Prudence Oliver Harper, Oscar White Muscarella & Beatrice Elizabeth Bodenstein 1966 |
| musealization | | SITE PRESENTATION > “Musealization”: site presentation as education |
| music | | MUSIC |
| Navigation | Tiers and music |
| Tiers and music > Music |
| The project | A solo reading in English |
| A solo rendering in Hurrian |
| WRITING | The lions of Tish-atal |
| musical tablet from Ugarit | | MUSIC > A tablet from Ugarit |
| musical tablet from Ugarit: interpretation | | MUSIC > The music |
| musical tablet from Ugarit: words | | MUSIC > The words of the song |
| music in Urkesh Palace | Urkeshpublic | Hurrian music > Music in the Urkesh palace |
| music: Palace | | MUSIC > Music in the Urkesh palace |
| music tablet from Ugarit | Urkeshpublic | Hurrian music |
| Hurrian music > A tablet from Ugarit |
| music tablet from Ugarit (interpretation) | Urkeshpublic | Hurrian music > The music |
| music tablet from Ugarit (words) | Urkeshpublic | Hurrian music > The words of the song |
| MZS: Mozan Sitewide | | MOZAN SITEWIDE |
| MZ SITEWIDE | NOTE |
| Nadali | Abstracts | Davide Nadali 2014 |
| Davide Nadali and Andrea Polcaro (eds.) 2015 |
| narrative | | The itinerary as narrative |
| The itinerary as narrative > The narrative |
| The stations on the itinerary > The itinerary as narrative |
| PRINCIPLES | Digital thought |
| Digital thought > Discourse and narrative |
| Urkesh Global Record | Principles > Documentation, narrative and argument |
| The UGR concept > Database and narrative |
| narrative & database | PRINCIPLES | Digital thought > Database and narrative |
| narratives: comparison | PRINCIPLES | Digital thought > A comparison of narratives |
| narrative: thematic | PRINCIPLES | 2. Argument > A thematic narrative |
| narrative vs. structure | PRINCIPLES | Digital thought > Structure vs. function |
| Nasser el Nemr | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| National Geographic Society | Support | The National Geographic Society |
| natural resources | GEOGRAPHY | Natural resources: obsidian |
| navigation | Introduction | Navigation |
| Nemrut Dağı | GEOGRAPHY | Natural resources: obsidian > Nemrut Dağı |
| Nergal | Search | Urkesh divine names > Nergal |
| Nergal (divine name) | Search | Urkesh divine names |
| Netherworld | | 7. Descent to the Netherworld |
| The stations on the itinerary > 7. Descent to the Netherworld (signpost and setup) |
| neurological considerations (excursus: writing) | BIBLIOGRAPHICAL EXCURSUSES | Writing > Neurological considerations |
| news | The project | News |
| Nicolle | Abstracts | Xavier Faivre and Christophe Nicolle 2007 |
| Xavier Faivre and Christophe Nicolle 2007 |
| Nikolaidou | Abstracts | Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| Ellery Frahm, Marianna Nikolaidou and Marilyn Kelly-Buccellati 2008 |
| non-contiguity | PRINCIPLES | Digital thought > Non-contiguity |
| Digital thought > Non-contiguity |
| non-data | Urkesh Global Record | The epistemological dimension > Non-data |
| non-digital multi-linearity | PRINCIPLES | Digital thought > 3. Non-digital multi-linearity |
| non-discontinuity | PRINCIPLES | Digital thought > Discontinuity |
| non-linearity | PRINCIPLES | Digital thought > 2. Discontinuity and non-linearity |
| Digital thought > Non-linearity |
| non-linearity (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Non-linearity |
| non-linearity (excursus): non-linear time | BIBLIOGRAPHICAL EXCURSUSES | Non-linearity > Non-linear time |
| non-linearity: pre-digital | PRINCIPLES | Digital thought > Pre-digital non-linearity |
| non-linear time: non-linearity (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Non-linearity > Non-linear time |
| northern cores | GEOGRAPHY | The northern cores |
| northern cores: concept | GEOGRAPHY | The northern cores > The concept |
| north-south realignment (2100-1600 BC) | Setting | History > 2100-1600: The north-south realignment |
| Nougayrol | Abstracts | André Parrot and Jean Nougayrol 1948 |
| André Parrot and Jean Nougayrol 1948 |
| Jean Nougayrol 1960 |
| Jean Nougayrol 1960 |
| Oakes | Abstracts | Guy Oakes and Arthur J. Vidich 1999 |
| Oates | Abstracts | David Oates, Joan Oates and Helen McDonald 1997 |
| objectivity | PRINCIPLES | Coherence > Objectivity |
| Urkesh Global Record | Principles > Objectivity and transparency |
| Principles > Objectivity of the record |
| objects: ābi | Site | Excavations > The objects |
| objects: context | | The collections > The objects in their context |
| objects: entities | | The collections > The objects as autonomous entities |
| objects: in space | PRINCIPLES | The role of perception > Objects in space |
| obsidian | GEOGRAPHY | Natural resources: obsidian |
| OD50 | Urkesh Global Record / Units | Book OD50 |
| Book OD50 |
| OG50 | Urkesh Global Record / Units | Book OG50 |
| one-on-one | | One-on-One |
| one-on-one: phase 0 | | One-on-One: Phase 0 |
| one-on-one: phase 1 | | One-on-One: Phase 1 |
| one-on-one: phase 2 | | One-on-One: Phase 2 |
| one-on-one: phase 3 | | One-on-One: Phase 3 |
| one-on-one: phase 4 | | One-on-One: Phase 4 |
| One-on-One project | SCHOOLS | Urkesh One-on-One |
| onomastics: Urkesh | Search | Urkesh onomastics |
| on-site workshop | SCHOOLS | Universities in Syria > 2017: The on-site workshop |
| on the fringes (media) | MEDIA COVERAGE | On the fringes |
| ontologies | PRINCIPLES | Digital thought > “Ontologies” |
| open access | Evaluation | Comparative analysis of archaeological websites > Theory on Digital Publication/Open Access |
| Open Context Project | Evaluation | Comparative analysis of archaeological websites > The Open Context Project |
| operational difficulties | Urkesh Global Record | Principles > Operational difficulties of stratigraphic analysis |
| operational goals | Preface | A "Guide for the Perplexed" > Operational goals |
| Oppenheim | Abstracts | Leo Oppenheim 1958 |
| Leo Oppenheim, Robert H. Brill, Dan Barag and Axel von Saldern 1970 |
| optimum | Site Conservation | Planning > Optimum |
| orality | PRINCIPLES | Digital thought > Orality |
| Digital thought > Premise: Orality |
| organization: temperature and humidity | GEOGRAPHY | Temperature and humidity > Organization |
| Orsi | Abstracts | Valentina Orsi 2010 |
| Valentina Orsi 2010 |
| other publications | | OTHER PUBLICATIONS |
| other studies (publications) | PROJECT PUBLICATIONS | Other Studies |
| Outer City | | The panels of the welcome cluster > 1. Entering the Outer City |
| Urkesh Global Record / Units | The Outer City |
| outer ‘fertile crescent’ | Setting | History > The “Outer Fertile Crescent” |
| outline | Introduction | Outline |
| outreach | | EDUCATION AND OUTREACH |
| EDUCATION AND OUTREACH |
| Preservation | Outreach |
| PRINCIPLES | Communication > Publication and outreach |
| overview | | OVERVIEW |
| OVERVIEW |
| Özyar | Abstracts | Aslı Özyar 2014 |
| page: organization | Urkesh Global Record | Details of the page organization > Organization of the page |
| pages | | The signage system > Panels and pages |
| page structure | Navigation | Page structure |
| Palace | | 10. The Palace asleep |
| The itinerary as narrative > 6-10. The Palace |
| The stations on the itinerary > Second cluster: the Palace of Tupkish and the - abi |
| Palace courtyard | Urkesh Global Record / Units | Book A16 |
| Palace (eastern sector) | Urkesh Global Record / Units | Book A20 |
| Palace (formal wing) | Urkesh Global Record / Units | Book A18 |
| Palace: music | | MUSIC > Music in the Urkesh palace |
| Palace: panorama | | 6. The Palace "panorama" |
| Palace ‘panorama’ | | The stations on the itinerary > 6. Projecting the Palace – Palace “panorama” (signpost and setup) |
| Palace “Panorama” | Education | The Palace "Panorama" |
| Palace: panorama | Education | The Palace "panorama" |
| Palace: reception suite | | 9. Reception suite of the Palace |
| The stations on the itinerary > 9. Reception suite of the Palace (signpost and setup) |
| Palace: seat of power | | 8. The service wing of the Palace > The Palace as seat of power (PDF 869K) |
| Palace: service wing | | 8. The service wing of the Palace |
| The stations on the itinerary > 8. The service wing of the Palace (signpost and setup) |
| Palace > settlement | | 10. The Palace asleep > From Palace to settlement (PDF 824K) |
| Palace (southeastern sector) | Urkesh Global Record / Units | Book A17 |
| Palace: wall conservation | Preservation | CONSERVATION OF THE PALACE WALLS |
| palaeography | LANGUAGES / Writing | Palaeography |
| palaeography: alternative sequences of sign components | LANGUAGES / Writing | Palaeography > Alternative sequences of sign components |
| palaeography: splitting of signs within lines | LANGUAGES / Writing | Palaeography > Splitting of signs within lines |
| palaeography: vertical flipping | LANGUAGES / Writing | Palaeography > Vertical flipping |
| panels | | The signage system > Panels and pages |
| panels: full display | | A full thumbnail display of all panels |
| panels: types | | The signage system > The three types of panels |
| panels: welcome cluster | | The panels of the welcome cluster |
| panorama: Palace | | 6. The Palace "panorama" |
| Education | The Palace "panorama" |
| panorama: Palace and Temple | Education | The "panorama" between Palace and Temple |
| panoramas | | "Panoramas" |
| panoramas: current | | "Panoramas" > The current three panoramas |
| panoramas: function | | "Panoramas" > Function |
| panorama: Temple | | 2. The Temple "panorama" |
| Education | The Temple "panorama" |
| para-digital (concept) | PRINCIPLES | Digital thought > The concept of para-digital |
| para-literate: concept | PRINCIPLES | Digital thought > The concept of para-literate |
| Parayre | Abstracts | Dominique Parayre 1912 |
| Dominique Parayre 1912 |
| park | Education | THE MOZAN/URKESH ECO-ARCHAEOLOGICAL PARK |
| parks | Evaluation | Comparative analysis of archaeological websites > Parks and Living Museums: |
| Parrot | Abstracts | André Parrot 1954 |
| André Parrot 1954 |
| André Parrot and Jean Nougayrol 1948 |
| André Parrot and Jean Nougayrol 1948 |
| past (staging) | Education | Staging the past |
| path | Navigation | Page structure > Path and authorship |
| path to the Palace panorama | Urkesh Global Record / Units | Book S6 |
| pavers | Site Conservation | Site conservation techniques: floors > Pavers |
| PDF | Evaluation | Comparative analysis of archaeological websites |
| Comparative analysis of archaeological websites > Brochure and PDF: |
| Comparative analysis of archaeological websites > Linear (PDF) |
| Comparative analysis of archaeological websites > PDF |
| Pecchioli-Daddi | Abstracts | Carlo Corti and Franca Pecchioli–Daddi 2012 |
| Pecorella | Abstracts | Paolo Emilio Pecorella 2000 |
| Paolo Emilio Pecorella 2000 |
| perception | PRINCIPLES | The role of perception |
| perception: built environment | BIBLIOGRAPHICAL EXCURSUSES | The built environment > Function and perception |
| perception (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Perception |
| perception (excursus): architecture | BIBLIOGRAPHICAL EXCURSUSES | Perception > Architecture |
| perception (excursus): art history | BIBLIOGRAPHICAL EXCURSUSES | Perception > Art history |
| perception (excursus): virtual reality | BIBLIOGRAPHICAL EXCURSUSES | Perception > Virtual reality |
| perception of space | | 2. The Temple "panorama" > 2. The perception of space (PDF 395K) |
| perception of taxonomical classes | GEOGRAPHY | Perceptual geography > Perception of taxonomical classes |
| perception: role | PRINCIPLES | Digital thought > The role of perception |
| perception: taxonomical classes | PRINCIPLES | The role of perception > Perception of taxonomical classes |
| perceptual analysis | | The scholarly dimension > Perceptual analysis |
| GEOGRAPHY | Perceptual geography > Perceptual analysis |
| PRINCIPLES | The role of perception > Perception and perceptual analysis |
| perceptual discontinuity | PRINCIPLES | Digital thought > Perceptual discontinuity |
| perceptual geography | GEOGRAPHY | Perceptual geography |
| PRINCIPLES | The role of perception > Perceptual geography |
| perceptual impact | PRINCIPLES | Digital thought > The perceptual impact of writing |
| perceptual impact of writing | PRINCIPLES | Digital thought > The perceptual impact of writing |
| personal aids | Education | Personal aids |
| personal gallery | Field staff | A personal gallery |
| Pfälzner | Abstracts | Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Heike Dohmann-Pfälzner and Peter Pfälzner 2002 |
| Heike Dohmann-Pfälzner and Peter Pfälzner 2002 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2000 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2000 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2001 |
| Heike Dohmann-Pfälzner & Peter Pfälzner 2001 |
| Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Peter Pfälzner 2008 |
| Peter Pfälzner 2008 |
| Peter Pfälzner 2012 |
| Peter Pfälzner 2012 |
| phases | Setting | History > Phases and strata |
| Phillips | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| philosophical systems | PRINCIPLES | Philosophical systems |
| phonemics: symbols | LANGUAGES / Writing | Symbols and Conventions > Phonemics |
| photos | Navigation | Page structure > Photos and graphics |
| physical anthropology | SAMPLES AND SPECIMENS | Physical anthropology |
| planning | DEVELOPMENT | Planning |
| Site Conservation | Planning |
| plans | Site Presentation | Plans for the future |
| plates | | 2. The Temple "panorama" > The plates |
| Plaza | Preservation | The Temple Terrace and Plaza |
| Polcaro | Abstracts | Davide Nadali and Andrea Polcaro (eds.) 2015 |
| polyhedral argument | PRINCIPLES | Digital thought > The polyhedral argument |
| poly-segmental argument | PRINCIPLES | Digital thought > Linear and poly-segmental |
| Pompeii Database | Evaluation | Comparative analysis of archaeological websites > Pompeii Database |
| portability | PRINCIPLES | Digital thought > Portability |
| Urkesh Global Record | The UGR input: Databases > Durability and portability |
| posters | PRINCIPLES | 2. Argument > Posters |
| posters: 2007 | PROJECT PRESENTATIONS | Posters > 2007 |
| posters: 2010 | PROJECT PRESENTATIONS | Posters > 2010 |
| posters: 2012 | PROJECT PRESENTATIONS | Posters > 2012 |
| posters: 2017 | PROJECT PRESENTATIONS | Posters > 2017 |
| posters: forthcoming | PROJECT PRESENTATIONS | Posters > Forthcoming |
| posters: project | PROJECT PRESENTATIONS | Posters |
| post-excavation | Urkesh Global Record | Principles > Stratigraphic understanding after excavations |
| Postgate | Abstracts | John Nicholas Postgate (ed.) 2007 |
| John Nicholas Postgate (ed.) 2007 |
| postulates | PRINCIPLES | Postulates and definitions |
| posture of reader | PRINCIPLES | Digital thought > The posture of the reader |
| potter’s marks | TEXT / Other texts | Ceramics |
| potter’s marks: bibliography | TEXT / Other texts | Ceramics > Bibliography |
| potter’s marks: reference to content | TEXT / Other texts | Ceramics > Reference to content |
| potter’s marks: reference to maker | TEXT / Other texts | Ceramics > Reference to maker |
| potter’s marks: reference to user | TEXT / Other texts | Ceramics > Reference to user |
| pottery workshop (2016) | SCHOOLS | Universities in Syria > 2016: The Pottery Workshop |
| pottery: workshop (2016) | SCHOOLS | Universities in Syria > 2016: The Pottery Workshop |
| Pouyssegeur | Abstracts | Annie Caubet and Patrick Pouyssegeur 1998 |
| Annie Caubet and Patrick Pouyssegeur 1998 |
| practice | | Theory and practice |
| precision | Urkesh Global Record | Principles > Explicitness about precision and strategy |
| pre-configurated narrative | PRINCIPLES | Digital thought > 2. Pre-configured narrative |
| pre-digital non-linearity | PRINCIPLES | Digital thought > Pre-digital non-linearity |
| pre-digital > para-digital | PRINCIPLES | Digital thought > 4. From pre-digital to para-digital |
| preface | | Preface |
| prehistory > history | PRINCIPLES | Digital thought > From prehistory to history |
| pre-literate > para-literate | PRINCIPLES | Digital thought > 1. From pre-literate to para-literate |
| presentation | | Conservation and presentation |
| The intended audiences > Excavations, presentation, conservation |
| Principles | Conservation as publication > Presentation |
| presentations: project | | PROJECT PRESENTATIONS |
| preservation | | Conservation and presentation > Preservation and display |
| PRESERVATION |
| PRESERVATION |
| preservation: concurrent | Principles | Extrinsicism and not > Extrinsic, concurrent, integrated |
| preservation: extrinsic | Principles | Extrinsicism and not > Extrinsic, concurrent, integrated |
| preservation: integrated | Principles | Extrinsicism and not > Extrinsic, concurrent, integrated |
| preservation: presuppositions | Principles | Theory of archaeological preservation > Presuppositions |
| press | MEDIA COVERAGE | Press |
| press: 1995 | MEDIA COVERAGE | Press > 1995 |
| press: 1997 | MEDIA COVERAGE | Press > 1997 |
| press: 1999 | MEDIA COVERAGE | Press > 1999 |
| press: 2003 | MEDIA COVERAGE | Press > 2003 |
| press: 2006 | MEDIA COVERAGE | Press > 2006 |
| press: 2011 | MEDIA COVERAGE | Press > 2011 |
| press: 2012 | MEDIA COVERAGE | Press > 2012 |
| press: 2014 | MEDIA COVERAGE | Press > 2014 |
| press: 2015 | MEDIA COVERAGE | Press > 2015 |
| press: 2016 | MEDIA COVERAGE | Press > 2016 |
| press: 2017 | MEDIA COVERAGE | Press > 2017 |
| press: 2018 | MEDIA COVERAGE | Press > 2018 |
| primary data | PRINCIPLES | Primary data |
| primary data: confrontation | PRINCIPLES | Primary data > The initial confrontation |
| primary data: dichotomy | PRINCIPLES | Primary data > A basic dichotomy |
| primary data: role (in documentation) | PRINCIPLES | Primary data > The role of primary data in documentary publications |
| primary narrative | PRINCIPLES | Digital thought > Primary narrative |
| primary observation: atomistic nature | PRINCIPLES | Primary data > Atomistic nature of primary observations |
| primary observation: ineludibility | PRINCIPLES | Primary data > Irreplaceability and ineludibility of primary observation |
| primary observation: irreplaceability | PRINCIPLES | Primary data > Irreplaceability and ineludibility of primary observation |
| primary schools | SCHOOLS | Primary schools |
| principles | | PRINCIPLES |
| principles: archaeological preservation | | PRINCIPLES OF ARCHAEOLOGICAL PRESERVATION |
| principles: archaeological storage | Storage | Principles of archaeological storage |
| printed materials | | Early printed materials |
| problems | Site Conservation | Site conservation techniques: floors > General problems |
| problems of the electronic culture (excursus: reading) | BIBLIOGRAPHICAL EXCURSUSES | Reading > Problems of the electronic culture |
| procedures | | Goals and procedures |
| procedures: temperature and humidity | GEOGRAPHY | Temperature and humidity > Procedures |
| profane | | 3. Facing the transcendence > Sacred and profane (PDF 681K) |
| program | Education | Program |
| project | | THE PROJECT |
| THE PROJECT |
| project: exhibits | PROJECT PRESENTATIONS | Exhibits |
| project: exhibits (Damascus, 2010-2011) | PROJECT PRESENTATIONS / Exhibits | Urkesh Exhibit |
| project: exhibits (Domodossola, 2015) | PROJECT PRESENTATIONS / Exhibits | Urkesh Exhibit |
| project: exhibits (Qamishli, 2017) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibits |
| project: exhibits (Rimini Exhibit) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Exhibit: Room 3) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Exhibit: Room 4 - Urkesh) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Exhibit: Room 5 - Urkesh) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Exhibit: Room 6) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Exhibit: Rooms) | PROJECT PRESENTATIONS / Exhibits | Rimini Exhibit |
| project: exhibits (Rimini Meeting) | PROJECT PRESENTATIONS / Exhibits | Rimini Meeting |
| project: exhibits (Subartu Exhibit) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 1) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 10) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 11) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 12) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 13) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 14) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 15) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 2) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 3) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 4) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 5) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 6) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 7) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 8) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Tell She’ir poster 9) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 1) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 10) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 11) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 12) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 13) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 14) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 15) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 16) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 17) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 18) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 19) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 2) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 3) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 4) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 5) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 6) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 7) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 8) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (Subartu Exhibit: Urkesh poster 9) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| project: exhibits (UCLA Open House, 2015) | PROJECT PRESENTATIONS / Exhibits | UCLA Open House |
| project: lectures | PROJECT PRESENTATIONS | Lectures |
| project: posters | PROJECT PRESENTATIONS | Posters |
| project: presentations | | PROJECT PRESENTATIONS |
| project: publications | | PROJECT PUBLICATIONS |
| project: reports | PROJECT PRESENTATIONS | Reports |
| prosopography: Urkesh | Search | Urkesh prosopography |
| protective systems | Site Conservation | Protective systems |
| protective systems: overview | Site Conservation | Overview of protective systems |
| publication | PRINCIPLES | Communication > Publication and outreach |
| Principles | Conservation as publication |
| Urkesh Global Record | The UGR concept > The input as publication |
| publications: abstracts | | ABSTRACTS |
| publications: books | PROJECT PUBLICATIONS / Books | All books |
| publications: keywords | | KEYWORDS |
| publications: other | | OTHER PUBLICATIONS |
| publications: other studies | PROJECT PUBLICATIONS | Other Studies |
| publications: project | | PROJECT PUBLICATIONS |
| Qamishli: exhibits | DEVELOPMENT | Exhibits in Qamishli |
| Raccidi | Abstracts | Mattia Raccidi 2014 |
| Mattia Raccidi 2014 |
| rain | GEOGRAPHY | Weather |
| rain: gallery | GEOGRAPHY | Weather > Gallery |
| readind stands: late periods | | The reading stands of the late periods cluster |
| readind stands: Palace cluster | | The reading stands of the Palace cluster |
| readind stands: Temple cluster | | The reading stands of the Temple cluster |
| readind stands: welcome cluster | | The reading stands of the welcome cluster |
| reading: digital | PRINCIPLES | Digital thought > Reading and digital reading |
| reading (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Reading |
| reading (excursus): digital reading | BIBLIOGRAPHICAL EXCURSUSES | Reading > Digital reading |
| reading (excursus): problems of the electronic culture | BIBLIOGRAPHICAL EXCURSUSES | Reading > Problems of the electronic culture |
| reading stands | | Readind stands |
| reading stands: characteristics | | Readind stands > Characteristics |
| reading stands: clusters | | Readind stands > Clusters |
| reading stands: function | | Readind stands > Function |
| reality | Site Conservation | Planning > Reality |
| reception | DEVELOPMENT | Planning |
| Recht | Abstracts | Laerke Recht 2014 |
| Laerke Recht 2014 |
| Laerke Recht 2014 |
| Laerke Recht 2014 |
| Laerke Recht 2015 |
| Laerke Recht 2015 |
| Laerke Recht 2018 |
| Laerke Recht 2018 |
| Laerke Recht 2019 |
| Laerke Recht 2019 |
| Laerke Recht 2019 |
| Laerke Recht 2019 |
| reclining lion (glyptics motif) | TEXTS / Seal legends | Tupkish |
| reconfiguration | PRINCIPLES | Digital thought > Reconfiguration: the frame and the fragments |
| reconstruction | | RECONSTRUCTION |
| record | | THE RECORD |
| THE RECORD |
| Site Conservation | The record |
| The record |
| recording | Site Conservation | Recording |
| record: integration | Storage | Principles of archaeological storage > 8. Integration in the record |
| record: objectivity | Urkesh Global Record | Principles > Objectivity of the record |
| record: overview | Site Conservation | 9. The record |
| record: temperature and humidity | GEOGRAPHY | Temperature and humidity > The full record |
| recursive auditing | Storage | Principles of archaeological storage > 9. Recursive auditing and transparency |
| reductionist approach | Urkesh Global Record | Principles > Reductionist documentary approach |
| references | Urkesh Global Record | The UGR concept > References |
| reflection | PRINCIPLES | Digital thought > Reflection |
| Digital thought > Reflection |
| region | Setting | The region |
| registration | Storage | Principles of archaeological storage > 2. Registration |
| relief | Setting | Geography > Relief and water use |
| reports: 2014 | PROJECT PRESENTATIONS | Reports > 2014 |
| reports: 2015 | PROJECT PRESENTATIONS | Reports > 2015 |
| reports: 2017 | PROJECT PRESENTATIONS | Reports > 2017 |
| reports: 2019 | PROJECT PRESENTATIONS | Reports > 2019 |
| reports: 2021 | PROJECT PRESENTATIONS | Reports > 2021 |
| reports: project | PROJECT PRESENTATIONS | Reports |
| research | Preservation | Research |
| research center | | 14. Beyond the dig |
| The stations on the itinerary > 14. The research center (signpost and setup) |
| reserved (staff) | The project | Section reserved for the staff |
| restoration | | RESTORATION |
| restoration: ceramics | Preservation | Restoration of ceramic vessels |
| restoration: walls | Preservation | Wall restoration |
| Richardson | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| Riehl | Abstracts | Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Katkleen Deckers, Monika Doll, Peter Pfälzner and Simone Riehl 2010 |
| Simone Riehl 2000 |
| Simone Riehl 2000 |
| Rinaldi | Abstracts | Giovanni Rinaldi 1968 |
| Giovanni Rinaldi 1968 |
| Ristvet | Abstracts | Lauren Ristvet and Harvey Weiss 2001 |
| Lauren Ristvet and Harvey Weiss 2001 |
| roads | Setting | Geography > Roads |
| Robinson | Abstracts | Spencer M. Robinson 2006 |
| Spencer M. Robinson 2006 |
| Rohn | Abstracts | Karin Rohn 2011 |
| role of perception | PRINCIPLES | Digital thought > The role of perception |
| royal inscriptions | TEXTS | Royal inscriptions |
| royal kitchen | | 8. The service wing of the Palace > The royal kitchen (PDF 900K) |
| Royal Palace | Site | Excavations |
| Royal Palace | Urkesh Global Record / Units | Area AA |
| Royal Palace: future | Site | Excavations > The future |
| royal wardrobe (?) | | 8. The service wing of the Palace > The royal wardrobe (?) (PDF 623K) |
| S6 | Urkesh Global Record / Units | Book S6 |
| sacred | | 3. Facing the transcendence > Sacred and profane (PDF 681K) |
| safekeeping | Principles | Scope of archaeological preservation > Safekeeping |
| Sallaberger | Abstracts | Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Walther Sallaberger 2004 |
| Walther Sallaberger 2004 |
| Walther Sallaberger and Aage Westenholz 1999 |
| Salvini | Abstracts | Mirjo Salvini 2000 |
| Mirjo Salvini 2000 |
| Mirjo Salvini 2000 |
| Mirjo Salvini 2000 |
| Samuel H. Kress Foundation | Support | The Samuel H. Kress Foundation |
| San Carlos Foundation | Support | San Carlos Foundation |
| sandstorms | GEOGRAPHY | Weather > Sandstorms |
| SANEM 3 | PROJECT PUBLICATIONS / Books | All books > SANEM 3 |
| Šaumšen (personal name) | Search | Urkesh onomastics |
| Urkesh prosopography |
| Urkesh word index |
| scalarity | PRINCIPLES | Digital thought > Scalarity and aggregation |
| Digital thought > Scalarity and multi-layering |
| Schmandt-Besserat | Abstracts | Denise Schmandt-Besserat 1977 |
| Denise Schmandt-Besserat 1992 |
| Denise Schmandt-Besserat 2007 |
| scholarly dimension | | The scholarly dimension |
| scholars | | The intended audiences > Scholars and interested adults |
| Introduction | The scholars |
| scholars: framework | Introduction | The scholars > The framework |
| schools: high | SCHOOLS | High schools |
| schools: middle | SCHOOLS | Middle schools |
| schools outreach | | SCHOOLS OUTREACH |
| schools: primary | SCHOOLS | Primary schools |
| school texts | TEXTS | Letters |
| Schroer | Abstracts | Silvia Schroer (ed.) 2006 |
| Schwartz | Abstracts | Peter M.M. Akkermans and Glenn M. Schwartz 2003 |
| Peter M.M. Akkermans and Glenn M. Schwartz 2003 |
| Schwemer | Abstracts | Daniel Schwemer 2001 |
| scribal exercise(?) | TEXTS | Letters > s1 - A5.126 - Scribal exercise(?) |
| scribal exercise | TEXTS | Letters > s2 - A7.429 - Scribal exercise |
| scribal exercise(?) | TEXTS | Letters > s3 - A17.q133.1 - Scribal exercise(?) |
| Letters > s4 - A18.q536.1 - Scribal exercise(?) |
| scroll > codex | PRINCIPLES | Digital thought > From scroll to codex |
| sculpture | Site | Major finds |
| seal impressions | Site | Major finds |
| seal legends: courtiers of Tupkish and Uqnitum | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: dumu endan (= prince) | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: Innin-shadu | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: Tar’am-Agade (daughter of Naram-Sin) | TEXTS / Seal legends | Tar'am-Agade |
| seal legends: throne-bearer | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: Tuli (cook) | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: Tupkish (king of Urkesh) | TEXTS / Seal legends | Tupkish |
| seal legends: Unap | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| seal legends: Uqnitum (queen of Urkesh) | TEXTS / Seal legends | Uqnitum |
| seals | Site | Major finds |
| seals legends: Zamena (nurse) | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| search | | SEARCH |
| SEARCH |
| search function | PRINCIPLES | Digital thought > The search function |
| season profiles | History | The season profiles |
| sections | | Monuments and stratigraphy > Sections |
| Preservation | The document: sections |
| Sedláček | Abstracts | Tibor Sedláček 2012 |
| Tibor Sedláček 2012 |
| Tibor Sedláček 2014 |
| Tibor Sedláček 2014 |
| Tibor Sedláček 2017 |
| Tibor Sedláček 2017 |
| segmentation | PRINCIPLES | Digital thought > Titled segmentation |
| selectivity | Storage | Principles of archaeological storage > Stockage and selectivity |
| self-generated narrative | PRINCIPLES | Digital thought > 3. Self-generated narrative |
| Digital thought > 4. The self-generated narrative |
| seminar (2019) | SCHOOLS | Universities in Syria > 2019: The research seminar |
| seminars | | Youngsters without borders |
| SCHOOLS | Universities in Syria |
| semiotics | | The "site as a book": the concept > Localization as semiotics |
| sensitivity | Principles | Conservation as part of the excavation strategy > A question of sensitivity |
| sequence | PRINCIPLES | Digital thought > 1. The pre-configured narrative |
| sequentiality | PRINCIPLES | Digital thought > Sequentiality |
| Digital thought > Sequentiality |
| Digital thought > Sequentiality and connectivity |
| setting | | Setting |
| SETTING |
| SETTING |
| Seymour | Abstracts | Stephanie Moser, Darren Glazier, James E. Phillips, Lamya Nasser el Nemr, Mohammed Saleh Mousa, Rascha Nasr Aiesh, Susan Richardson, Andrew Conner and Michael Seymour 2002 |
| shelters | Preservation | Shelters |
| shelving | Storage | Principles of archaeological storage > 6. Shelving |
| signage | | The itinerary as narrative > The signage |
| The "site as a book": the concept > Integration of site and signage |
| Education | Signage |
| signage: current | | The stations on the itinerary > The current status of signage at the site |
| signage system | | The signage system |
| sign = objects | | The signs as objects: technical details |
| signpost 1 | | 1. Facing the centuries |
| signpost 10 | | 10. The Palace asleep |
| signpost 11 | | 11. The great Mittani shift |
| signpost 12 | | 12. The last stand in the service of the gods |
| signpost 13 | | 13. The broader limits |
| signpost 14 | | 14. Beyond the dig |
| signpost 2 | | 2. The Temple "panorama" |
| signpost 3 | | 3. Facing the transcendence |
| signpost 4 | | 4. The great ascent |
| signpost 5 | | 5. The Temple of the Lion |
| signpost 6 | | 6. The Palace "panorama" |
| signpost 7 | | 7. Descent to the Netherworld |
| signpost 8 | | 8. The service wing of the Palace |
| signpost 9 | | 9. Reception suite of the Palace |
| signposts | | Signposts |
| Signposts > The signposts |
| The itinerary as narrative > The signposts |
| Šimigan | Search | Urkesh divine names > Šimigan |
| Šimigan (divine name) | Search | Urkesh divine names |
| Urkesh word index |
| site as a book: concept | | The "site as a book": the concept |
| site conservation | Site Conservation | 1. Overview |
| site conservation: adherent covers | Site Conservation | Overview of protective systems > Adherent covers |
| site conservation: alteration | Site Conservation | Overview of protective systems > Alteration |
| site conservation: backfill | Site Conservation | Overview of protective systems > Backfill |
| site conservation: broad base | Site Conservation | Overview of protective systems > Broad base and localized shelters |
| site conservation (concepts): overview | Site Conservation | Site conservation concepts |
| site conservation: criteria (goals) | Site Conservation | Site conservation: criteria |
| site conservation: data | Preservation | General overview > The data |
| site conservation: draped covers | Site Conservation | Adherent covers > Draped covers on walls |
| site conservation: evaluation | Preservation | Evaluation: introduction |
| site conservation: goals | Preservation | General overview > Specific goals |
| site conservation: history | Preservation | History of the project: overview |
| site conservation: localized shelters | Site Conservation | Overview of protective systems > Broad base and localized shelters |
| site conservation: maintenance | Site Conservation | 6. Maintenance: introduction |
| site conservation: methods | Site Conservation | 4. Methods: overview |
| site conservation: overview | Preservation | General overview |
| site conservation: principles | Site Conservation | 2. General principles: overview |
| site conservation: strips on stone joints | Site Conservation | Adherent covers > Strips on stone joints |
| site conservation: superposition | Site Conservation | Overview of protective systems > Superposition |
| site conservation: techniques | Site Conservation | 5. Techniques: overview |
| site museum | Storage | In-house collections > Site Museum |
| site organization | Site Map | Site organization |
| site presentation | | SITE PRESENTATION |
| Education | Site presentation at Tell Mozan |
| site presentation (bibliography) | MAJOR THEMES | Site Presentation |
| site presentation: chronicle | | For a chronicle of site presentation at Tell Mozan |
| site presentation: concept | | SITE PRESENTATION > The concept |
| The concept of site presentation |
| site presentation: implementation | | SITE PRESENTATION > The implementation: Mozan as Urkesh |
| site presentation: multimedia | MAJOR THEMES | Site Presentation > 2. Links to multimidia outside Urkesh/E-Library. AVASA |
| site presentation: overview | | SITE PRESENTATION > Overview |
| site: Urkesh | | History |
| Smogorzewska | Abstracts | Anna Smogorzewska 2010 |
| Anna Smogorzewska 2010 |
| social responsability (ethics: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Ethics in archaeological practice > Social responsibility |
| Sollberger | Abstracts | Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| Dietz Otto Edzard, Gertrud Farber and Edmond Sollberger 1977 |
| solutions | Site Conservation | Site conservation techniques: floors > Solutions adopted |
| sound of spoken languages | LANGUAGES / Sound | The sound of the spoken languages |
| southeastern end of the Plaza | Urkesh Global Record / Units | Book J7 |
| space: grammar | Urkesh Global Record | Principles > Grammar of space |
| space: organization | | Organization of space |
| specialized techniques | Education | Training in specialized techniques |
| Speiser | Abstracts | Ephraim Avigdor Speiser 1930 |
| Ephraim Avigdor Speiser 1930 |
| splitting of individual signs | LANGUAGES / Writing | Palaeography > Splitting of individual signs |
| splitting of individual signs (palaeography) | LANGUAGES / Writing | Palaeography > Splitting of individual signs |
| splitting of signs within lines (palaeography) | LANGUAGES / Writing | Palaeography > Splitting of signs within lines |
| spoken languages: sound | LANGUAGES / Sound | The sound of the spoken languages |
| staff roster | Field staff | Staff roster |
| stakeholders | | The intended audiences > Stakeholders |
| Starr | Abstracts | Richard F.S. Starr 1939 |
| starters | Education | For starters |
| static constructs | Introduction | The scholars > Static constructs |
| stations | | The stations on the itinerary |
| Stein | Abstracts | Diana L. Stein 2001 |
| Diana L. Stein 2001 |
| Steymans | Abstracts | Hans Ulrich Steymans 2010 |
| still | GEOGRAPHY | Weather > Still images |
| Stillinger | Abstracts | Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| Michele D. Stillinger, Joshua M. Feinberg, Ellery Frahm 2015 |
| stockage | Storage | Principles of archaeological storage > Stockage and selectivity |
| stone scatter | Urkesh Global Record / Units | Book OG50 |
| storage | | STORAGE |
| storage as preservation | | STORAGE > Storage as preservation |
| storage = intellectual process | Storage | Principles of archaeological storage > The alternative view: storage as an intellectual process |
| storage: organic view | Storage | Principles of archaeological storage > Introduction: An organic view |
| storage: principles | Storage | Principles of archaeological storage |
| strata | Setting | History > Phases and strata |
| strata assignment | Urkesh Global Record | The epistemological dimension > The example of strata assignment |
| strategy | Urkesh Global Record | Principles > Explicitness about precision and strategy |
| The UGR concept > Impact on strategy |
| strategy: feedback | Urkesh Global Record | Principles > Feedback for strategy |
| stratigraphic analysis | Urkesh Global Record | Principles > Operational difficulties of stratigraphic analysis |
| stratigraphic understanding | Urkesh Global Record | Principles > Stratigraphic understanding after excavations |
| stratigraphy | | Monuments and stratigraphy |
| structural discontinuity | PRINCIPLES | Digital thought > Definitions |
| Digital thought > Structural discontinuity: The three levels of interaction |
| structure | Education | Structure |
| PRINCIPLES | Digital thought > Structure and deconstruction |
| structure vs. narrative | PRINCIPLES | Digital thought > Structure vs. function |
| students | | The intended audiences > Students |
| study collection: nature | Storage | Study collections > Nature of the study collections |
| study collections: collections: study | Storage | Study collections |
| style: axes | ART / Style | Experiments in style > Following the axes… |
| style: circularity | ART / Style | Experiments in style > Circularity |
| style: descriptive details | ART / Style | Experiments in style > Descriptive details |
| style: double frontality | ART / Style | Experiments in style > Double frontality |
| style: experiments | ART / Style | Experiments in style |
| style: frontality | ART / Style | Experiments in style > Frontality |
| style: full frontality | ART / Style | Experiments in style > Full frontality |
| style: Hurrian | ART / Style | Experiments in style |
| style: movement | ART / Style | Experiments in style > Movement |
| stylus test | TEXTS | Letters > s10 - A5.q819.1 - Stylus test |
| Letters > s11 - A6.q623.1 - Stylus test |
| stylus test(?) | TEXTS | Letters > s12 - A7.324.1 - Stylus test(?) |
| stylus test | TEXTS | Letters > s5 - A1.161 - Stylus test |
| stylus test(?) | TEXTS | Letters > s6 - A1.278 - Stylus test(?) |
| Letters > s7 - A1.q999.27 - Stylus test(?) |
| Letters > s8 - A1.q1021.4 - Stylus test(?) |
| stylus test | TEXTS | Letters > s9 - A1.q1062.3 - Stylus test |
| Subartu (exhibits, Qamishli and Amuda, 2014-2015) | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibits |
| Suess | Abstracts | M.I. Venkatesan, T.W. Linickt, H.E. Suess and G. Buccellati 1982 |
| Sumerian | LANGUAGES | Languages in context > Sumerian |
| superposition | Site Conservation | Protective systems > Superposition |
| support | | SUPPORT |
| surface scatter | Urkesh Global Record / Units | Book OD50 |
| Book OD50 |
| surface sherd Z1.66 (cuneiform text on ceramics) | TEXTS / Other texts | Cuneiform on ceramics |
| sustainable development | | SUSTAINABLE DEVELOPMENT |
| synthetic publication | PRINCIPLES | 2. Argument |
| Syria | | SYRIA – THE HOST COUNTRY |
| Syria Shell Petroleum Development | Support | Syria Shell Petroleum Development |
| Syro-Mesopotamia: geography | Setting | Geography > Syro-Mesopotamia |
| Syro-Mesopotamia: history | Setting | History > Syro-Mesopotamia |
| Syro-Mesopotamian archaeology | | For a chronicle of site presentation at Tell Mozan > From experimentation to implementation |
| system as a whole | Site Conservation | The record > The system as a whole |
| table (glyptics motif) | TEXTS / Seal legends | Uqnitum |
| tagging | PRINCIPLES | Digital thought > Tagging |
| tallies | Site Map | Directories and tallies |
| tally | PRINCIPLES | Digital thought > 2. The tally |
| Talon | Abstracts | Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Tar’am-Agade | | 9. Reception suite of the Palace > The protocol of the sealed doors (PDF 824K) |
| Tar’am-Agade (daughter of Naram-Sin): seal legends | TEXTS / Seal legends | Tar'am-Agade |
| taxonomical classes | GEOGRAPHY | Perceptual geography > Perception of taxonomical classes |
| PRINCIPLES | The role of perception > Perception of taxonomical classes |
| techniques | | TECHNIQUES |
| TECHNIQUES AND METHODS |
| Tell Chuera: incised sherds | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Tell Chuera |
| Tell Mozan: visits | VISITORS | Visits to Mozan |
| Tell She’ir | PROJECT PRESENTATIONS / Exhibits | Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| Subartu Exhibit |
| tell: Urkesh | Site | The Tell |
| temperature | GEOGRAPHY | Temperature and humidity |
| Temple | | The stations on the itinerary > 5. The Temple of the Lion (signpost and setup) |
| The stations on the itinerary > First cluster: the Temple and the Temple Terrace |
| temple | Site | Excavations |
| Temple | Site Conservation | The record |
| temple: excavations | Site | Excavations > Excavations |
| temple: lion | Site | Excavations > The temple’s lion |
| Temple: panorama | | 2. The Temple "panorama" |
| Temple ‘panorama’ | | The stations on the itinerary > 2. A bird’s eye view – Temple “panorama” (signpost and setup) |
| Temple: panorama | Education | The Temple "panorama" |
| temple: structure | Site | Excavations > Structure |
| Temple Terrace | | The itinerary as narrative > 1-5. The Temple Terrace |
| The stations on the itinerary > First cluster: the Temple and the Temple Terrace |
| Preservation | The Temple Terrace and Plaza |
| Site Conservation | The record |
| Tendüret Dağı | GEOGRAPHY | Natural resources: obsidian > Tendüret Dağı |
| Terqa: electronic library | Preservation | Terqa |
| Terrace edge | Urkesh Global Record / Units | Book J3 |
| territory | | The intended audiences > Centrality of the territory |
| DEVELOPMENT | The communities |
| test | PRINCIPLES | Digital thought > A test |
| text: administrative | TEXTS | Administrative texts |
| texts | | TEXTS |
| texts (administrative): allotment of an unknown item, possibly barley | TEXTS | Administrative texts > a2 - A10.377 - Allotment of an unknown item, possibly barley |
| texts (administrative): fragmentary record of copper | TEXTS | Administrative texts > a3 - A10.163 - Fragmentary record of copper |
| texts (administrative): Hurrian account concerning field taxations(?) | TEXTS | Administrative texts > a1 - A7.341 - Hurrian account concerning field taxations(?) |
| texts (administrative): unknown item (arids?) | TEXTS | Administrative texts > a4 - A1.q961.6 - Unknown item (arids?) |
| texts (administrative): unknown item (arids) | TEXTS | Administrative texts > a5 - A6.98 - Unknown item (arids) |
| Administrative texts > a6 - A6.q633.1 - Unknown item (arids) |
| texts (administrative): wine | TEXTS | Administrative texts > a7 - A7.368 - Wine |
| texts: alphabetic characters on ceramics? | TEXTS / Other texts | Alphabetic characters on ceramics? |
| texts: Atal-šen | TEXTS | Royal inscriptions > r1 - Atal-šen |
| texts: categories | | TEXTS > Categories of texts |
| texts: concordance | | TEXTS > Concordance |
| texts: cuneiform on ceramics (surface sherd Z1.66) | TEXTS / Other texts | Cuneiform on ceramics |
| texts: diacritics | | TEXTS > Diacritics |
| texts: envelope of a letter(?) | TEXTS | Letters > l2 - A7.324.2 - Envelope of a letter(?) |
| Letters > l3 - A7.324.3 - Envelope of a letter(?) |
| texts: fragment of a letter-order(?) | TEXTS | Letters > l1 - A5.q846.1 - Fragment of a letter-order(?) |
| texts: illegible | TEXTS / Other texts | Illegible texts |
| texts: incomprehensible | TEXTS / Other texts | Incomprehensible texts |
| texts: letters | TEXTS | Letters |
| texts: presentation format | | TEXTS > Presentation format |
| texts: royal inscriptions | TEXTS | Royal inscriptions |
| texts: school texts | TEXTS | Letters |
| texts: scribal exercise(?) | TEXTS | Letters > s1 - A5.126 - Scribal exercise(?) |
| texts: scribal exercise | TEXTS | Letters > s2 - A7.429 - Scribal exercise |
| texts: scribal exercise(?) | TEXTS | Letters > s3 - A17.q133.1 - Scribal exercise(?) |
| Letters > s4 - A18.q536.1 - Scribal exercise(?) |
| texts: stylus test | TEXTS | Letters > s10 - A5.q819.1 - Stylus test |
| Letters > s11 - A6.q623.1 - Stylus test |
| texts: stylus test(?) | TEXTS | Letters > s12 - A7.324.1 - Stylus test(?) |
| texts: stylus test | TEXTS | Letters > s5 - A1.161 - Stylus test |
| texts: stylus test(?) | TEXTS | Letters > s6 - A1.278 - Stylus test(?) |
| Letters > s7 - A1.q999.27 - Stylus test(?) |
| Letters > s8 - A1.q1021.4 - Stylus test(?) |
| texts: stylus test | TEXTS | Letters > s9 - A1.q1062.3 - Stylus test |
| text: Tiš-atal | TEXTS | Royal inscriptions > r2 - Tiš-atal |
| The Cotsen Family Foundation | Support | The Cotsen Family Foundation |
| the Digital Archaeological Record | Evaluation | Comparative analysis of archaeological websites > tDAR: the Digital Archaeological Record |
| thematic narrative | PRINCIPLES | 2. Argument > A thematic narrative |
| The Millennia for Today | PROJECT PUBLICATIONS / Books | All books > Millennia for Today |
| The millennia for today | PROJECT PUBLICATIONS / Guide Books and Exhibits | The millennia for today |
| theory | | Theory and practice |
| PRINCIPLES | Theory |
| theory: archaeological process | PRINCIPLES | Theory > Theory of the archaeological process |
| theory on digital publication | Evaluation | Comparative analysis of archaeological websites > Theory on Digital Publication/Open Access |
| third millennium | Setting | History > Ideological landscapes of the third millennium |
| throne-bearer: seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| Thureau-Dangin | Abstracts | François Thureau-Dangin 2012 |
| François Thureau-Dangin 2012 |
| tiers | Navigation | Tiers and music |
| Tiers and music > Tiers |
| Tiš-atal | TEXTS | Royal inscriptions > r2 - Tiš-atal |
| Tish-atal: lion | Site | Excavations > The lion of Tish-atal |
| topical index: grammar | Search | Topical index (grammar) |
| Topical index (grammar) > Topical index (grammar) |
| topic-based websites | Evaluation | Comparative analysis of archaeological websites > Topic-based Sites: |
| toponomastics: Urkesh | Search | Urkesh toponomastics |
| tourism | | The impact of tourism |
| tourists | DEVELOPMENT | The park |
| training | Education | Training in excavations techniques |
| Training in manual arts |
| Training in specialized techniques |
| transcendence | | 3. Facing the transcendence |
| The stations on the itinerary > 3. Facing the transcendence (signpost and setup) |
| transparency | Storage | Principles of archaeological storage > 9. Recursive auditing and transparency |
| Urkesh Global Record | Principles > Objectivity and transparency |
| trees | GEOGRAPHY | Environment > Trees |
| trench to C2 | Urkesh Global Record / Units | Unit B6 |
| triangulation rod | TECHNIQUES | Triangulation rod |
| Tufte | Abstracts | Edward Rolf Tufte 1983 |
| Tuli (cook): seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| Tupkish (king of Urkesh): seal legends | TEXTS / Seal legends | Tupkish |
| Tupkish Palace | Site Conservation | The record |
| Tupkish Palace: walls | Preservation | The walls of the Tupkish Palace |
| typological clustering | PRINCIPLES | Primary data > Typological clustering |
| typological clustering: degrees | PRINCIPLES | 2. Argument > Degrees of typological clustering |
| typology | | TYPOLOGY |
| TYPOLOGY |
| Uberti | Abstracts | Maria Luisa Uberti 2005 |
| Maria Luisa Uberti 2005 |
| UCLA Academic Senate | Support | The UCLA Academic Senate |
| Ugarit: musical tablet | | MUSIC > A tablet from Ugarit |
| Ugarit: musical tablet (interpretation | | MUSIC > The music |
| Ugarit: musical tablet (words) | | MUSIC > The words of the song |
| Ugarit: music tablet | Urkeshpublic | Hurrian music |
| Hurrian music > A tablet from Ugarit |
| Ugarit: music tablet (interpretation) | Urkeshpublic | Hurrian music > The music |
| Ugarit: music tablet (words) | Urkeshpublic | Hurrian music > The words of the song |
| UGR | | THE RECORD |
| THE RECORD |
| UGR | PRINCIPLES | Digital thought > The Urkesh Global Record |
| UGR | Site Conservation | Recording > The global record |
| Urkesh Global Record | The Urkesh Global Record (UGR): Overview |
| UGR: argument | Urkesh Global Record | The UGR concept > The argument |
| UGR: concept | Urkesh Global Record | The UGR concept |
| UGR: concept (overview) | Urkesh Global Record | The UGR concept > The concept |
| UGR: digital text | PRINCIPLES | Digital thought > The Urkesh Global Record as a digital text |
| UGR: epistemology | Urkesh Global Record | The epistemological dimension |
| UGR: examples | | The scholarly dimension > Examples from the UGR |
| UGR: history (current use) | Urkesh Global Record | History of the Urkesh Global Record |
| UGR: input | Urkesh Global Record | The UGR input: Databases |
| UGR: principles | Urkesh Global Record | Principles |
| UGR website and Urkesh | Introduction | Urkesh and UGR websites |
| UMS 3 | Abstracts | UMS 3 |
| UMS 4 | Abstracts | UMS 4 |
| Unap: seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| underground shaft (ābi) | Site | Excavations > A deep underground shaft |
| unicum gallery | The faces of Urkesh | Kaleidoscope > The UNICUM Gallery |
| The UNICUM Gallery |
| unicum gallery (concept) | The faces of Urkesh | The UNICUM Gallery > The UNICUM concept |
| universities (in Syria) | SCHOOLS | Universities in Syria |
| unknown item (arids?) | TEXTS | Administrative texts > a4 - A1.q961.6 - Unknown item (arids?) |
| unknown item (arids) | TEXTS | Administrative texts > a5 - A6.98 - Unknown item (arids) |
| Administrative texts > a6 - A6.q633.1 - Unknown item (arids) |
| updates | PRINCIPLES | Digital thought > Updates |
| Uqnitum (queen of Urkesh): seal legends | TEXTS / Seal legends | Uqnitum |
| Urkesh: ancient | Preface | A guide for first timers > Ancient Urkesh |
| Urkesh atelier | DEVELOPMENT | The Urkesh atelier |
| Urkesh Global Record | PRINCIPLES | Digital thought > The Urkesh Global Record |
| Urkesh Global Record | Urkesh Global Record | The Urkesh Global Record (UGR): Overview |
| Urkesh Global Record: concept | Urkesh Global Record | The UGR concept |
| Urkesh Global Record: epistemology | Urkesh Global Record | The epistemological dimension |
| Urkesh Global Record: format (display generation) | Urkesh Global Record | How the display generated |
| Urkesh Global Record: format (general) | Urkesh Global Record | Urkesh Global Record |
| Urkesh Global Record: format (page layout) | Urkesh Global Record | Page layout |
| Urkesh Global Record: format (page organization) | Urkesh Global Record | Details of the page organization |
| Urkesh Global Record: principles | Urkesh Global Record | Principles |
| Urkesh: Hurrians | Setting | History |
| Urkesh: incised sherds | TEXTS / Other texts | Alphabetic characters on ceramics? > Incised sherds from Urkesh |
| Urkesh/Mozan Studies 1 | PROJECT PUBLICATIONS / UMS | MOZAN 1 |
| Urkesh/Mozan Studies 2 | PROJECT PUBLICATIONS / UMS | MOZAN 2 |
| Urkesh/Mozan Studies 3 | PROJECT PUBLICATIONS / UMS | UMS 3 |
| Urkesh/Mozan Studies 3 (UMS 3) | PROJECT PUBLICATIONS / Books | All books > UMS 3 |
| Urkesh/Mozan Studies 4 | PROJECT PUBLICATIONS / UMS | UMS 4 |
| Urkesh/Mozan Studies 4 (UMS 4) | PROJECT PUBLICATIONS / Books | All books > UMS 4 |
| Urkesh/Mozan Studies 5 | PROJECT PUBLICATIONS / UMS | UMS 5 |
| Urkesh/Mozan Studies 5 (UMS 5) | PROJECT PUBLICATIONS / Books | All books > UMS 5 |
| Urkesh/Mozan Studies 6 | PROJECT PUBLICATIONS / UMS | UMS 6 |
| Urkesh/Mozan Studies 6 (UMS 6) | PROJECT PUBLICATIONS / Books | All books > UMS 6 |
| Urkesh/Mozan Studies 7 (UMS 7) | PROJECT PUBLICATIONS / Books | All books > UMS 7 |
| Urkesh/Mozan Studies (UMS) | PROJECT PUBLICATIONS / Books | All books > UMS – Urkesh/Mozan Studies |
| Urkesh/Mozan Studies (UMS) | PROJECT PUBLICATIONS / UMS | UMS – Urkesh/Mozan Studies |
| Urkesh onomastics | Search | Urkesh onomastics |
| urkesh.org = modern Urkesh | Preface | A guide for first timers > Modern urkesh.org |
| Urkesh Palace: music | Urkeshpublic | Hurrian music > Music in the Urkesh palace |
| Urkesh prosopography | Search | Urkesh prosopography |
| Urkesh: site | | History |
| Urkesh specific websites: links | OTHER PUBLICATIONS / Links | Links to Urkesh specific websites |
| Urkesh: tell | Site | The Tell |
| Urkesh toponomastics | Search | Urkesh toponomastics |
| Urkesh (toponym) | Search | Urkesh toponomastics |
| Urkesh website | PRINCIPLES | Digital thought > The Urkesh Website as a digital text |
| Urkesh website and UGR | Introduction | Urkesh and UGR websites |
| Urkesh website: directories & tallies | Site Map | Directories and tallies > Urkesh website |
| Urkesh Website Knowledge Base | The project | The Urkesh Website Knowledge Base |
| Urkesh Website Knowledge Base: concept & procedures | The project | The Urkesh Website Knowledge Base |
| Urkesh Website Knowledge Base: group members | The project | The Urkesh Website Knowledge Base |
| Urkesh word index | Search | Urkesh word index |
| user | PRINCIPLES | Digital thought > 1. The persons |
| user vs. reader | PRINCIPLES | Digital thought > User vs. reader |
| valorization of hidden resources | | SUSTAINABLE DEVELOPMENT |
| van der Sluijs | Abstracts | Peter James and Anthony Marinus van der Sluijs 2012 |
| van Ginneken | Abstracts | Paul van Ginneken 2000 |
| Paul van Ginneken 2000 |
| Paul van Ginneken 2000 |
| Van Lerberghe | Abstracts | Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| Lucio Milano, Walther Sallaberger, Philippe Talon & Karen Van Lerberghe 2004 |
| vassal kingdom | Setting | History > A vassal kingdom |
| Veenhof | Abstracts | Klaas Veenhof and Jesper Eidem 2008 |
| Venkatesan | Abstracts | M.I. Venkatesan, T.W. Linickt, H.E. Suess and G. Buccellati 1982 |
| version | Annals | Concepts > Version |
| Version 0 | Annals | Ephemerides |
| Versions |
| Version 1 | Annals | Versions |
| Version 1a | Annals | Versions |
| versions | | Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Current version of the present section |
| Annals | Versions |
| vertical flipping (palaeography) | LANGUAGES / Writing | Palaeography > Vertical flipping |
| Vico | Abstracts | Gianbattista Vico 1744 |
| video | PRINCIPLES | Video and film |
| video clips | The faces of Urkesh | Video clips |
| video clips: weather (wind) | GEOGRAPHY | Weather > Video clips |
| video & film: documentary function | PRINCIPLES | Video and film > Documentary function |
| video & film: nature of distinction | PRINCIPLES | Video and film > The nature of the distinction |
| videos (media) | MEDIA COVERAGE | Broadcasts and videos |
| Vidich | Abstracts | Guy Oakes and Arthur J. Vidich 1999 |
| view from within | Principles | Conservation as part of the excavation strategy > The view from within |
| Extrinsicism and not > The view from within |
| view from without | Principles | Conservation as part of the excavation strategy > The view from without |
| village | DEVELOPMENT | In the village |
| virtual reality | | Conservation and presentation > Real virtual reality |
| PRINCIPLES | The role of perception > The role of virtual reality |
| virtual reality (perception: excursus) | BIBLIOGRAPHICAL EXCURSUSES | Perception > Virtual reality |
| Viscuso | Abstracts | Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| visitors | | The intended audiences > Occasional visitors |
| VISITORS | Visits to Mozan |
| visits to Tell Mozan | VISITORS | Visits to Mozan |
| visual databases | Evaluation | Comparative analysis of archaeological websites > Visual Database |
| visuals | Evaluation | Comparative analysis of archaeological websites |
| Comparative analysis of archaeological websites > Visual or Interactive |
| visual tours | Evaluation | Comparative analysis of archaeological websites > Virtual Tours |
| visual websites | Evaluation | Comparative analysis of archaeological websites > Visual Websites |
| volcanoes | GEOGRAPHY | Natural resources: obsidian |
| Volk | Abstracts | Konrad Volk 2004 |
| Konrad Volk 2004 |
| von Dassow | Abstracts | Eva von Dassow 2008 |
| Eva von Dassow 2008 |
| von Saldern | Abstracts | Leo Oppenheim, Robert H. Brill, Dan Barag and Axel von Saldern 1970 |
| Wäfler | Abstracts | Markus Wäfler 2001 |
| wall conservation | Preservation | History of wall conservation project |
| WALL CONSERVATION |
| wall conservation: metal frame | Preservation | History of wall conservation project |
| wall conservation: monitoring | Preservation | History of wall conservation project |
| wall conservation: overview | Preservation | History of wall conservation project |
| History of wall conservation project |
| wall conservation: Palace | Preservation | CONSERVATION OF THE PALACE WALLS |
| wall conservation project (history): UGR | Preservation | History of wall conservation project |
| wall conservation: side panels | Preservation | History of wall conservation project |
| wall conservation: top cover | Preservation | History of wall conservation project |
| wall construction | Preservation | The document: wall construction |
| wall faces | Site Conservation | Site conservation techniques > Wall faces |
| wall reconstruction: reconstruction: walls | Preservation | Wall reconstruction |
| wall restoration | Preservation | Wall restoration |
| walls | Site Conservation | Walls and beyond |
| walls: Tupkish Palace | Preservation | The walls of the Tupkish Palace |
| wall tops | Site Conservation | Site conservation techniques > Wall tops |
| warrior with helmet (glyptics motif) | TEXTS / Seal legends | Tupkish |
| water use | Setting | Geography > Relief and water use |
| weather: rain | GEOGRAPHY | Weather |
| weather: rain (gallery) | GEOGRAPHY | Weather > Gallery |
| weather: temperature and humidity (averages) | GEOGRAPHY | Temperature and humidity |
| Temperature and humidity > Averages |
| weather: temperature and humidity (full record) | GEOGRAPHY | Temperature and humidity |
| Temperature and humidity |
| weather: temperature and humidity (graphic rendering | GEOGRAPHY | Temperature and humidity > Graphic rendering: temperature and humidity |
| weather: temperature and humidity (graphic tabulations by month) | GEOGRAPHY | Temperature and humidity |
| weather: temperature and humidity (organization) | GEOGRAPHY | Temperature and humidity > Organization |
| weather: temperature and humidity (overview) | GEOGRAPHY | Temperature and humidity |
| weather: temperature and humidity (procedures) | GEOGRAPHY | Temperature and humidity > Procedures |
| weather: temperature and humidity (record) | GEOGRAPHY | Temperature and humidity > The full record |
| weather: wind | GEOGRAPHY | Weather |
| weather: wind (overview) | GEOGRAPHY | Weather > Overview |
| weather: wind (sandstorms) | GEOGRAPHY | Weather > Sandstorms |
| weather: wind (still images) | GEOGRAPHY | Weather > Still images |
| weather: wind (video clips) | GEOGRAPHY | Weather > Video clips |
| webmasters | Design | Webmasters |
| web outreach | | Web outreach |
| website | | THE WEBSITE |
| THE WEBSITE |
| website authors | Search | Website authors |
| website: materials | Education | Materials on the website |
| website presentation | | The stations on the itinerary > Mechanics of website presentation |
| website: Urkesh | PRINCIPLES | Digital thought > The Urkesh Website as a digital text |
| Wegner | Abstracts | Ilse Wegner 1937 |
| Ilse Wegner 1937 |
| Ilse Wegner 2000 |
| Ilse Wegner 2000 |
| Weiss | Abstracts | Harvey Weiss 2001 |
| Harvey Weiss 2001 |
| Lauren Ristvet and Harvey Weiss 2001 |
| Lauren Ristvet and Harvey Weiss 2001 |
| welcome panels | | The stations on the itinerary > Introductory cluster: welcome panels |
| Westenholz | Abstracts | Julia Asher-Greve and Joan Goodnick Westenholz 2013 |
| Julia Asher-Greve and Joan Goodnick Westenholz 2013 |
| Walther Sallaberger and Aage Westenholz 1999 |
| western staircase | | 11. The great Mittani shift > The western staircase (PDF 503K) |
| Whiting | Abstracts | Robert McCray Whiting 1976 |
| Robert McCray Whiting 1976 |
| whole | | The scholarly dimension > Focusing on the whole |
| Wikipedia | Annals | Concepts > “Wiki” approach |
| Wilhelm | Abstracts | Gernot Wilhelm 1982 |
| Gernot Wilhelm 1982 |
| Gernot Wilhelm 1998 |
| Gernot Wilhelm 1998 |
| Gernot Wilhelm 2001 |
| Gernot Wilhelm 2001 |
| Gernot Wilhelm 2008 |
| Gernot Wilhelm 2008 |
| wind | GEOGRAPHY | Weather |
| wine | TEXTS | Administrative texts > a7 - A7.368 - Wine |
| Wissing | Abstracts | Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Alice Bianchi, Heike Dohmann-Pfälzner, Eva Geith, Peter Pfälzner and Anne Wissing 2012 |
| Wolf | Abstracts | Maryanne Wolf 2007 |
| women | DEVELOPMENT | The Urkesh atelier |
| word index: Urkesh | Search | Urkesh word index |
| workshop: on-site | SCHOOLS | Universities in Syria > 2017: The on-site workshop |
| workshops | | Youngsters without borders |
| SCHOOLS | Universities in Syria |
| World Monuments Fund (WMF) | Support | The World Monuments Fund |
| writing | PRINCIPLES | Digital thought > The introduction of writing |
| Digital thought > The perceptual impact of writing |
| writing & culture (excursus: writing) | BIBLIOGRAPHICAL EXCURSUSES | Writing > Writing and culture |
| writing & culture: experience (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Experience > Writing and culture |
| writing (excursus) | BIBLIOGRAPHICAL EXCURSUSES | Writing |
| writing (excursus): antecedents of writing | BIBLIOGRAPHICAL EXCURSUSES | Writing > Antecedents of writing |
| writing (excursus): grammatology | BIBLIOGRAPHICAL EXCURSUSES | Writing > Grammatology |
| writing (excursus): neurological considerations | BIBLIOGRAPHICAL EXCURSUSES | Writing > Neurological considerations |
| writing (excursus): writing & culture | BIBLIOGRAPHICAL EXCURSUSES | Writing > Writing and culture |
| youngsters | SCHOOLS | Urkesh One-on-One |
| youngsters without borders | | Youngsters without borders |
| Youngsters without borders |
| Youngsters without borders |
| Zamena (nurse): seal legends | TEXTS / Seal legends | Courtiers of Tupkish and Uqnitum |
| Zanelli | Abstracts | Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| Salvatore Viscuso, Alessandra Zanelli and Marta Barozzi 2018 |
| Zarins | Abstracts | J. Zarins and R. Hauser 2014 |
| J. Zarins and R. Hauser 2014 |
| Zick | Abstracts | Michael Zick 2008 |
| Michael Zick 2008 |
| ZSC collection | Storage | Study collections > The conservation collection |
| ZSD collection | Storage | Display collections > The main display collection |
| ZSS collection | Storage | Study collections > The special collection |
| ZSZ collection | Storage | Study collections > The zoology and natural science collections |